Fire On Corridor X - All The Saints
Metascore
70

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 7 out of 11
  2. Negative: 1 out of 11
  1. With Fire on Corridor X, All the Saints seem less interested in renovating the house that noise built than burning the whole thing to the ground.
  2. With ten songs running a hair under forty minutes, it's a concise debut that hits the mark a good portion of the time while introducing All The Saints as someone to really keep an eye on.
  3. 80
    Certainly, for anyone dosed up on post-Sisters black-attired rockisms, these Alabamans are a pulse-racing godsend. [Jan. 2008, p.110]
  4. All the Saints pound out lumbering hard rock. And it sounds good.
  5. Maybe that’s what makes Fire on Corridor X such a kick, that you can hear every element of its super loud sound, that it overwhelms without blurring at the edges, that its body-shaking impact contains surprising subtlety and variety.
  6. What All the Saints lack in rhythmic variation, they make up for with absorbing atmosphere--their sound truly is subterranean, a dimly lit, cavernous rumble that gets more suffocating as the album progresses.
  7. At its strongest, with songs like the archly titled 'Regal Regalia' and 'Papering Fix,' the band kicks up a huge sounding storm while still providing space for the almost preternaturally clean singing boring through the mix--not as an artificially high volume element, more like serenity in the midst of a storm.
  8. 60
    It's occasionally redolent of Black Rebel Motorcycle Club, but the likes of 'Hornett' retain a heady, defiantly exploratory quality. [Dec 2008, p.92]
  9. The best track here is named after a local town called Sheffield but the massive wall of guitars and tidal wave of drums and cymbals put you in mind of Happy Mondays or The Stone Roses in a tussle with The Jesus And Mary Chain. [Dec 2008, p.123]
  10. This drive and disaffection suggest it won't be long before they leave their influences behind, although the raging, self-mythologising 'Regal Regalia' and Floydian pop of 'Papering Fix' are more than good enough for now.
  11. Everything about this record, from its goopy over-production to its brooding, listless demeanor, suffers from a one-dimensionality that completely prevents connections to the listening audience.

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