Metascore
81

Universal acclaim - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
  1. In truth, the majority of this largely monotonous second outing becomes a one-size-fits-all affair, and you’re left digging around in this hallucinogenic haze for a new high.
  2. Q Magazine
    60
    His synapse-fusing take on acid-house, however, first showcased on 2005's OK Cowboy, reamins an underground phenomenon--this sequel won't alter that. [Nov 2009, p.114]

Awards & Rankings

User Score
8.2

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. j30
    Jan 30, 2012
    8
    Flashmob is a fantastic follow-up to OK Cowboy and in some ways better than it's predecessor.
  2. Oct 4, 2022
    6
    Interesting effort. I didn't manage to connect with the first leg of the LP. However I did enjoy a lot some variations of these first songs,Interesting effort. I didn't manage to connect with the first leg of the LP. However I did enjoy a lot some variations of these first songs, even if that means I didn't like those in overall. The ending crescendo on 'One Above One' is terrific. Same on 'See the Sea (Red)': it is only at its ending that the song becomes interesting, and for both of them it means that you have to wait for a long time to enjoy it. And it is not a pleasant time to wait. The song 'Flashmob' is as ridiculous as messy. 'Still' goes the same way and benefits from a terrific ending.

    I had prejudices on 'Terminateur Benelux' but I somehow found some pleasure in its raw and drafty meanders. 'Second Lives' appears as the diamond of the record to me, as the reason I had to endure all those entertaining but disappointing songs. Flawless from start to beginning. I wish all the record was based on it. The second leg is far more consistent and attractive to me, with resourceful tracks that keep the surprise growing despite the listens.
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