Flavors Of Entanglement - Alanis Morissette
Metascore
63 out of 100

Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 5 out of 18
  2. Negative: 0 out of 18
  1. Somehow, a devastating personal experience has galvanized her songwriting in a way that domestic bliss, as showcased on 2004's disappointing "So-Called Chaos," could not.
  2. Morissette's superb lyrics leave you cheering for her--and assured that she's going to be just fine.
  3. It's a lot like "Jagged Little Pill," but musically this is far closer to the muddled mystic worldbeat of "Supposed Former Infatuation Junkie," thanks in large part to her collaboration with Guy Sigsworth, best known for his productions with Björk and Madonna.
  4. Scarjo may have her man, but Morissette has something Johansson doesn't: a heartfelt record.
  5. It's a cluttered affair with bleeping, buzzing lows (harshly ambient tracks like "Straightjacket" and "Versions of Violence") and a handful of humble high points in a pair of lovely piano ballads.
  6. 60
    The Ottawan's new record abounds with moments most arresting for the crazy chutzpah with which she'll shoehorn a line of verse into a line of music whose rhythm puts the stresses on all the wrong words. [July 2008, p.104]
  7. 60
    Producer Guy Sigsworth (Seal, Björk, Madonna) adds a touch of Eurodisco to her infatuation-junkie rambles.
  8. Morissette is rarely dull, but she can occasionally be wearying. [July 2008, p.107]
  9. As ever, she provokes both compassion and impatience.
  10. If Alanis lacks breadth in terms of her subject matter, and she does, she makes up for it in the rich variety of styles that have influenced each track.
  11. While Morissette's weaknesses are the same--her lyrics are still overwrought, as though torn from some broken-hearted schoolgirl's diary-–this disc is an easier pill to swallow than her last couple.
  12. Canadian firebrand loses her spark.
  13. Flavors of Entanglement is better than expected, but not as strong as we hoped it would be.
  14. 50
    Psychology textbooks are less linguistically challenged and just as littered with cases of emotional breakdowns. [June 2008, p.114]
  15. On some tracks, Morissette's voice channels Björk (with whom Sigsworth has also worked), but the mood ultimately switches to watered-down Evanescence.
  16. "Supposed Former Infatuation Junkie" was emotionally complex but never without a nerve; the new Alanis, it seems, has many things to say, but they're all half-formed and stuck inside her head.
  17. She has fresh relationship issues to work through on Flavors of Entanglement, her first set of new tunes since 2004, but she has difficulty striking a balance between soul-searching and dance grooves on a set that doesn't distinguish itself with either.
  18. 40
    It's the no-frills productions like 'Not As We' which stand out, although these are marred by the lyrics--a mess of self-help-manual platitudes and environmentally minded bollocks. [July 2008, p.104]
User Score

Universal acclaim- based on 53 Ratings

User score distribution:
  1. Positive: 21 out of 23
  2. Mixed: 0 out of 23
  3. Negative: 2 out of 23
  1. This album makes it quite clear: Alanis Morissette doesn't have a single good album left in her. Whatever happened to the down-to-earth, levelheaded woman who wrote so many earnest, tell-it-like-it-is pop songs in 1995? Maybe the pressure of fame whittled down her edge: as she graduated from young woman to full blown adult over the course of five or six albums, she has steadily inundated her music with an ever-increasing amount of self-conscious psychobabble. And each album has been worse than the one before. On Flavors of Entanglement, she's as confessional as she was fifteen years ago, but after two decades of reading self-help books, her confessions are somewhat embarrassing and unpleasant to hear. Morissette frequently uses jargon that's usually reserved for a psychologist's couch, heightening the sense that we are in the unpleasant head of a too-self-conscious neurotic. Witness the laundry list of therapy terms in Versions of Violence: "Diagnosing, analyzing, Unsolicited advice, Explaining and controlling, judging opining and meddling"; the awkward phrasing of Moratorium: "I declare a moratorium on things relationship, i declare a respite from the toils of liason." And don't get me started on the sophomoric rambling of "Giggling Again for No Reason", which has lyrics and a title that would be embarrassing for a 14 year old girl to write, let alone a full grown woman. So the final result is an awkward mess of unmelodic, unsurprising and somewhat affected lyrics from the mind of someone who has become less than interesting. Not a jagged little pill...a big, bland, dry one. Full Review »
  2. 10
    Excellent album. Thoroughly enjoy every song, although personally I prefer the extended edition....if only for the song 'Limbo No More' Certainly worth a listen. Full Review »
  3. OsAzER.
    10
    I often wonder what these critics do. Do they sit there waiting on an artists new material with a long list of prefabricated "critiques" that, to me at least, just seems a little bit preposterous? At times I have to ask myself, do these people even listen to the music, or do they have the same damn songs in their heads playing over and over and over? This album is first of all intelligent, and most definitely a bold creative work that tops anything I have heard since "In Rainbows." Every song has lyrics that make you think, emotions that make you feel, music that makes your head bounce and your ears stand at attention. I just can't understand why people fear a little originality. Shut Up! Pop "Flavors of Entanglement" in your CD player, and **** LISTEN!! Maybe you will learn something! Full Review »