Flesh Tone
- Kelis
User Score
8.4
out of 10
Universal acclaim- based on 22 Ratings
User score distribution:
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Positive: 19 out of 22
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Mixed: 3 out of 22
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Negative: 0 out of 22
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Dec 3, 201010Far the best Kelis album, It is completely different from her previous albums but in a good way. All tracks compliment each other and flow brilliantly. Kelis is one of those artist that I believe don't get enough recognition and she deserves so much more. Intro, Fireworks (4th of July), Acapella, 22nd Century & Brave are my top tracks. Should be on your iPod!
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Aug 12, 201110Having not really been a fan of Kelis I didnt really plan on buying this album. After 'Acapella' and '4th Of July' I downloaded it and WOW! One of the greatest albums I've ever bought!!!
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Aug 15, 201110
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Nov 9, 20108Quite Good. Although most of the songs on the album don't stand out that much, the way the entire album flows together creates a brilliant piece of art. Highlights include "Acapella", "Scream" and "Brave".
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Aug 25, 201110
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Sep 26, 20115Neither hated it or loved it. It certainly deserves far more success than it got. I enjoyed the majority of her new sound, some hard hitting electro beats, but with David Guetta and Benny Benassi what more could you expect ? It does at times feel alittle forces, i-must-fit-this-genre kinda feelings do drag this album down in parts, but all in all, a good album from a very underrated artist.
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Nov 15, 201110This is the real pop we expected from 2010. It was a big change in Kelis's style, from R&B to totally techno song, but it fitted for her. Great songs like 'Acapella' and 'Brave' makes this the best change of style ever made in the music industry.
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Nov 27, 201110
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Buoyed by a favorable divorce settlement, a baby boy and a newly released high-energy dance album, Flesh Tone, the recently single Kelis is ready to bring the boys back to the yard.
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Whether or not Flesh Tone remains a stylistic outlier, the disc will always be a bright standout in Kelis' discography.
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80Kelis's honey-husky voice slips easily into the hypnotic repetitions of dance music vocalisation; she uses the classic language of love songs and the soaring declarations of generalized euphoria particular to house music.