Metascore
88 out of 100

Universal acclaim - based on 27 Critics

Critic score distribution:
  1. Positive: 25 out of 27
  2. Negative: 0 out of 27
  1. 100
    Isolation doesn't get more splendid than this. [June 2008, p.100]
  2. 100
    For Emma, Forever Ago is such a hermetically sealed, complete and satisfying album, the prospect of a follow-up--of a life for Vernon beyond the wilderness, even - seems merely extraneous.
  3. It's rare to be so gushing about a debut album--yet after living with this album for a few weeks, you'll be hard pressed to find any flaws.
  4. For Emma, though only nine tracks long, is as beautiful, bleak and intimate as anything 2008 is likely to throw up.
  5. It's seamless in its construction, poetic in its songwriting and moving in its aesthetic impression.
  6. Wisconsin singer-songwriter Justin Vernon, who records as Bon Iver (a bastardized version of the French phrase for "good winter"), still manages to put his own stamp on a moribund genre with his quietly startling debut, For Emma, Forever Ago.
  7. Although For Emma, Forever Ago works best as a concise listen, as each song segues naturally into the next, tracks like 'Blindsided' and 'For Emma' quickly rise as shining standouts.
  8. For Emma is a paradigm of uninhibited closure, a gentle touch on a sad day.
  9. Vernon gives a soulful performance full of intuitive swells and fades, his phrasing and pronunciation making his voice as much a purely sonic instrument as his guitar.
  10. For all its apparent weightlessness, this is one heavy debut. [Winter 2008, p.80]
  11. For Emma captures the sound of broken and quiet isolation, wraps it in a beautiful package, and delivers it to your door with a beating, bruised heart.
  12. This remarkable album's impact resides in its sound; the lyrics, when they can be deciphered, are standard she-left-me stuff. [June 2008, p.147]
  13. 80
    Vernon's voice--delicately layered and yearning--gives standouts 'Skinny Love' and 'Flume' their stunningly direct emotional impact, but his sturdy folk cords, earthy melodies, and plainspoken, pastoral lyrics prevent the album from descending into self-pity. [Mar 2008, p.97]
  14. The most subtle incorporation of drum machines, horns, and vocal effects transforms Bon Iver's music from the quiet afterthought that characterizes much of today's indie-folk into a sonic landscape of moods and nuances.
  15. As good as it is, it's clear that Vernon still has room to grow. A few songs could have used a little extra instrumental kick, and while his songs are great, you can tell he has more to offer. Keep an eye on this one.
  16. For Emma, Forever Ago is a heartbreaking and heartwarming album that ventures deeper than the its simple history could predict.
  17. Vernon's voice is the showpiece here––a fragile, technically imperfect falsetto, he multi-tracks it into a shimmering, heat-giving force on each of the record's nine songs.
  18. While none of Bon Iver's background notes scream "new"--dissolved love affair, check; band breaks up (Vernon's freak-jug outfit, DeYarmond Edison), check--the chilling, rusty grandeur of For Emma will stop you in your snow tracks, however little it snows around here.
  19. His double-tracked voice makes these songs truly mesmerizing.
  20. The strength is in Vernon's ability to make a quiet, lonely album that is not boring.
  21. A sure-footed assertion of the artist's individual talents and landing it a spot among the best folk records of 2007 has to offer.
  22. Vernon's music is stripped-down, uniformly quiet, and confessional, his clipped, cracked, Will Oldham-inspired lyrics not evidence of cabin delirium, but the work of an artist warmed by a creative glow that only pure isolation (read: freedom) can fully render.
  23. Bon Iver defiantly makes a small-scale statement on For Emma, Forever Ago, so much that if you don't concentrate, you'll pass this over.
  24. This writer is a firm believer that every album you pick up should be a universally accessible experience. Solitude, sanctuary and silence spawn an exorcism of sorts.
  25. The turns of phrase are usually cul-de-sacs, the flights into obscurity have bum wings, and do you really prefer, for instance, Vernon's best-in-show "Now all your love is wasted?/Then who the hell was I?" (much less "Only love is all maroon/Lapping lakes like leery loons") to this Creeley ordinaire
User Score

Universal acclaim- based on 181 Ratings

User score distribution:
  1. Positive: 81 out of 85
  2. Negative: 0 out of 85
  1. Dave
    10
    The only thing I can add to what everybody else has said about this incredible album is that it breaks your heart.
  2. JoeH.
    10
    Best album released for years, the lyrical content is something to admire, completely compelled to listen to it at least once a day even though its been out for over a year, thanks Justin. Full Review »
  3. HayroC
    5
    The album is good, but some songs are boring.