...For The Whole World To See
- Death
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80Belatedly, it turns out to be great: seven prescise, insurrectionist ramalams that somehow fit somewhere between the MC5's high Time and Dead Boys' 'Sonic Reducer.' [Mar 2009, p.82]
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80Although just 26 minutes long, it's an unexpected triumph. [Apr 2009, p.115]
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As hard-rock takes on the shape of minimalist composition, the repeated rhythms and snatches of melody express rage and frustration long after the lyrics have ceased explicitly stating the message. It's the kind of song that feels as appropriate today as it did 33 years ago. That kind of fervor makes ...For the Whole World to See such a blast and a defining example of the spirit that drives not just rock 'n' roll, but true outsider art.
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This previously unreleased mini-album (recorded in late 1974) turns out to be a marvellously invigorating blast of proto-punk intensity.
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71The album falls short of a diamond-in-the-rough-caliber discovery, but considering these seven songs are the remains of an aborted 12-song full-length-from a band that reinvented itself every three or four years, For the Whole World holds up well alongside, say, concurrent Blue Oyster Cult or New York Dolls albums.
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There's not a bad song in the bunch, but the songs from Death's only official release are the clear highlights on ...For the Whole World to See.
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For the Whole World to See is not the true revelation the label wants you to think it is but it has some catchy melodies and delivers them at breakneck speeds.
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Lost in the dustbins until now was 'Freakin Out,' which sounds like a primal version of the Buzzcocks. 'Rock–N–Roll Victim' is the kind of chunky cock rock Kiss would refine for arenas. But not everything is so visionary.
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User score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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ryink7Not necessarily a lost classic, but an incredible document.
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Joseph10