From Here On In Image

Generally favorable reviews - based on 12 Critics What's this?

User Score

No user score yet- Awaiting 1 more rating

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: Procuded by Mo'Wax label head James Lavelle (U.N.K.L.E.), the debut album from London's South mixes electronica and indie rock, drawing comparisons to everyone from the Stone Roses and Happy Mondays to Badly Drawn Boy and DJ Shadow.
Score distribution:
  1. Positive: 4 out of 12
  2. Negative: 1 out of 12
  1. This is the first absolutely essential UK disc of the year.
  2. At 16 tracks, the melancholy mood lingers a bit long, but hey, if you can handle some meandering in your Britpop, then Here's something for you.
  3. At 70 minutes, it could've done with a pruning.
  4. Sadly, not all the guitar-led tracks work, but for every failure there's a soaring, slo-mo anthem or a downbeat campfire singalong.
  5. From Here on In often meanders around, getting by on its influences, rather than seeking the necessary hooks and melodies.
  6. 50
    South's tunes tend to wobble in very slow circles, and Joel Cadbury has picked up soggy vocal habits from Coldplay's Chris Martin. [Mar 2002, p.127]
  7. 30
    From Here On In may grab you with a slide-guitar hook here, a tiny melody or vocal quirk there, after repeated listening. But it's hard to justify the five or six hours necessary to achieve such meager nirvana.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3