From Here We Go Sublime
- The Field
- Critic Score
- Most active
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100This is one of those rare albums that makes you wonder how you ever got by without it.
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100From Here We Go Sublime may not be an evolution for Willner, but it's a singular distillation of his talents into one album. Mixing gauzy shoegaze, slippery ambient loops, and two-cheeks-on-the-floor bass drum bounce, the Field offers an idyllic work of startling novelty, and perhaps 'techno''s most widely appreciable offering in years.
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90It's fair to say if you don't find anything worthwhile somewhere in this record, you probably just don't enjoy electronic music.
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90If Willner doesn't hit at least some of your pleasure centers, well, forget your ears-- your nerve endings might actually be dead. Even three months in, it's a safe bet that From Here We Go Sublime will wind up 2007's most luxuriant record.
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From Here We Go Sublime is fantastic all around, and it's all the more effective for its restraint.
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90It focuses on the epic qualities of Ride and MBV, combined with Wilner's cosmic pop chops and his predilection for shuffly techno grooves.
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It feels endless - in a good way.
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85If you like minimal electronic music at all, you must seek it out.
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It may sound simple but it's devastatingly effective.
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80Mesmerising stuff. [Jun 2007, p.99]
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Wilner's talent lies in revealing the abundance of music locked inside even the smallest fractions of extant recordings.
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80An electronic album that is utterly original and not easily forgotten.
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This is an album you could easily hate -- especially if you like things like change and development.
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Track for track, From Here We Go Sublime is mired in some of the simplest beats in modern electronic music.
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User score distribution:
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Positive: 148 out of 252
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Mixed: 30 out of 252
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Negative: 74 out of 252
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TrevorW10
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EricC.10
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SimonC.3