User Score
Universal acclaim- based on 1057 Ratings
User score distribution:
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Positive: 969 out of 1057
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Mixed: 25 out of 1057
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Negative: 63 out of 1057
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maDec 24, 2004everybody calm down. thems some catchy tunes to be sure, but it doesnt exactly reinvent the wheel.
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micahgOct 27, 2004
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RudigerSJan 22, 2005Half is totally great. Half is totally boring. And I think you all know this.
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PabloG.Jul 10, 2007The music is OK, but from the first second to the last second I though "Oh my God... this is what Bon Jovi would sound like if he was an indie rock artist." Over-produced would an understatement. Also it doesn't help that I dislike the singer's voice. But I understand why people like this. Power Out is an alright song.
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Sep 5, 2010Some decent stuff here, unlike the other two discs (Neon Bible is especially bad). I really wanted to like them, but I can't help but think they are the most overrated band out there right now. Nothing really knocks my socks off, except for a few choice numbers off this particular record.
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B.CoolSep 27, 2004weirdos, great and awful all at once
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S.GraySep 28, 2004Most of the tunes drudge along, hinting at some great melodic swing without ever acheiving anything to make a track truly shine, with the exception of 'wake up' and 'in the back seat'. It tries to be inspirational but falls flat too often.
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jaoFeb 26, 2005
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spillyOct 21, 2004
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WillyPNov 18, 2005Imagine if they hired a real singer!
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RussAFeb 4, 2005
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May 1, 2017I honestly don't undertand what people are so fond of about this album. I tried to like it, gave it many chances but all I keep seeing is a below-average art rock album with overdone tracks.
Although there are a few decent songs, most of them left me wishing if they could just end. Especially the vocals I couldn't stand at all.
Awards & Rankings
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If I were to have just heard the first half of the disc, I probably would have proclaimed it the best of the year as well.
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So long as we're unable or unwilling to fully recognize the healing aspect of embracing honest emotion in popular music, we will always approach the sincerity of an album like Funeral from a clinical distance. Still, that it's so easy to embrace this album's operatic proclamation of love and redemption speaks to the scope of The Arcade Fire's vision.
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Marred by indie-rock clichés and occasional over-effort, it remains frustrating.