FutureSex / LoveSounds
- Justin Timberlake
- Band Name: Justin Timberlake
- Record Label: Jive
- Release Date: Sep 12, 2006
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90There's going to be a coronation very soon, and anyone who cares to invest will be handsomely rewarded by the future king.
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"FutureSex/LoveSounds" isn't an easy listen at first. Its crazy layers meld together into a sticky bit of a mess, and the lyrics are mostly standard love stuff. But repeated listening helps the tunes unravel. [11 Sep 2006]
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No dispute: Usher, Beyonce, Christina, Britney were just keeping the seat warm: The King's back on his throne.
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81It is this excess of ambition over achievement, as opposed to any real consistency, which makes FutureSex/LoveSounds more of an album than Justified was. Songs which sound puzzlingly self-indulgent in isolation-- most obviously, the smirking, tenuously tuneful first single "SexyBack"-- are cloaked in a compelling intensity and purposefulness when played in succession.
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Whereas his 2002 solo debut shot a glance back to Michael Jackson's 'Off The Wall', this is more indebted to 'Smooth Criminal', early '80s Prince and on its ballads, Stevie Wonder. [9 Sep 2006, p.37]
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80Even the lesser efforts are superior to typical chart fare.
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80The vibe is all infectious, feverish build-up. [Nov 2006, p.155]
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Timberlake's second solo record is dark and dirty to begin and smooth and sexy to finish. With only a few awkward cameo tracks to damage its reputation, this is going to be the soundtrack of the next few months.
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80No modern-day male artist beats him when it comes to single-minded self assurance or suavity.
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While it's nowhere near Thriller or Purple Rain, it does manage a healthy attempt at a reinterpretation of both.
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Although his best new tracks are thrilling... some of the up-tempo stuff flirts with mechanical muscle-flexing. [21 Sep 2006, p.86]
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It's a lot like Justified in that it's a solid collection of expertly produced pop songs whose flaws will be devoured by its almost guaranteed string of hits.
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70Although the mix of dance beats, pounding basslines and palatable vocals is occasionally marred by mundane R&B tracks like "Until the End of Time," there are far more pop gems than slow jams.
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How well do Mr. Timberlake and Timbaland work together? So well that they can make even the world's most irritating percussion instrument, the human beatbox, sound pretty good.
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70While FutureSex/LoveSounds is not a masterpiece, it's damn good.
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The enjoyable, forgettable FutureSex/LoveSounds may be a just-okay Timberlake album, but it's a great Timbaland demo reel.
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60Only problem is, he also wants us to love him for his mind, so he has declared this a concept album. [Nov 2006, p.116]
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60Laudable, but overreaching. [Nov 2006, p.130]
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Graceless he may be, but Timberlake is nevertheless kind of fascinating on FutureSex/LoveSounds since his fuses a clear musical vision -- misguided, yes, but clear all the same -- with a hammyness that only a child entertainer turned omnipresent 21st century celebrity can be.
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60A set of forward-thinking pop reminiscent of Sign O' The Times-era Prince. [Oct 2006, p.115]
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60By its closer... FutureSex/LoveSounds feels like an entirely different and far less interesting album than the one you started listening to.
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50FutureSex/LoveSounds isn't nearly as good as its slinky predecessor.
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If he hasn't yet invented a persona intriguing enough to live up to his music, give him credit for being one of the few white men still brave enough to make black music.
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40The Sexyback single makes wise use of filtered vocals to artificially deepen his tone and support his macho pose, but only so much can be done with studio gimmicry. He's soon back to tweeting his game in a prepubescent chirp; the more suggestive his come-ons, the funnier it gets.
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40Timberlake and Timbaland... write frustratingly awkward songs. [Oct 2006, p.142]
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User score distribution:
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Positive: 96 out of 124
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Mixed: 5 out of 124
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Negative: 23 out of 124
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