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By its closer... FutureSex/LoveSounds feels like an entirely different and far less interesting album than the one you started listening to.
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Graceless he may be, but Timberlake is nevertheless kind of fascinating on FutureSex/LoveSounds since his fuses a clear musical vision -- misguided, yes, but clear all the same -- with a hammyness that only a child entertainer turned omnipresent 21st century celebrity can be.
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Q MagazineA set of forward-thinking pop reminiscent of Sign O' The Times-era Prince. [Oct 2006, p.115]
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UncutLaudable, but overreaching. [Nov 2006, p.130]
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MojoOnly problem is, he also wants us to love him for his mind, so he has declared this a concept album. [Nov 2006, p.116]
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FutureSex/LoveSounds isn't nearly as good as its slinky predecessor.
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If he hasn’t yet invented a persona intriguing enough to live up to his music, give him credit for being one of the few white men still brave enough to make black music.
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VibeTimberlake and Timbaland... write frustratingly awkward songs. [Oct 2006, p.142]
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The Sexyback single makes wise use of filtered vocals to artificially deepen his tone and support his macho pose, but only so much can be done with studio gimmicry. He's soon back to tweeting his game in a prepubescent chirp; the more suggestive his come-ons, the funnier it gets.
Awards & Rankings
User score distribution:
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Positive: 417 out of 501
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Mixed: 22 out of 501
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Negative: 62 out of 501
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Feb 9, 2015
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Jun 12, 2011
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TimLFeb 3, 2007