Glassheart - Leona Lewis
Glassheart Image

Mixed or average reviews - based on 6 Critics What's this?

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Generally favorable reviews- based on 26 Ratings

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  • Summary: The third studio release for the British singer features writing and production by such artists as Rodney Jerkins, Naughty Boy, Emeli Sandé, Fraser T. Smith, and Ryan Tedder.
  • Record Label: Syco Music
  • Genre(s): Pop, R&B, Adult Contemporary, Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Pop Idol, Contemporary R&B
  • More Details and Credits »
Score distribution:
  1. Positive: 0 out of 6
  2. Negative: 0 out of 6
  1. Oct 16, 2012
    They've pushed unconvincing edginess with clubbier sounds, including the title track, an overloaded mess of dubstep breaks and house beats.
  2. Oct 16, 2012
    Granted, much of the record is still given over to quaking ballads like Fingerprint--an area where Adele now has the advantage--but several tracks demand attention.
  3. Oct 16, 2012
    It's a sonic monument to marvel at, not a piece of art that's asking for your engagement.
  4. Oct 16, 2012
    As it is, it's simply the next Leona Lewis album.
  5. This long-delayed third album sets out to make the Hackney diva "current" again.
  6. Oct 19, 2012
    As a whole, Glassheart is listenable, with a few ups and downs in terms of the quality of the tracks, but does tend to keep to a very steady keel of mediocrity without much deviation.
Score distribution:
  1. Positive: 2 out of 3
  2. Negative: 0 out of 3
  1. Apr 22, 2013
    im going to give you all a pissada Liuna is my babie and she is the best singer of all so you can your vagina and your ass with a cucumber xoxo gossip girl Expand
  2. Nov 27, 2012
    Glassheart. One of the most anticipated albums ever. This is a new direction for Leona but it's a worth it album after almost 4 years of waiting. STANDOUT TRACKS: Trouble, Lovebird, Fireflies, Come Alive, Stop the Clocks, Favourite Scar & Glassheart Expand
  3. Feb 7, 2014
    There are a few good tracks on this album but overall the it is far too saturated with producers to have any sort of cohesion. If you are a fan of songs that start with a melancholy acoustics followed by a warble-tremolo “oooh” or “yeah” vocals then you are in luck as this album has plenty. Expand