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Jun 6, 2011Gloss Drop may be more accomplished than the band's debut; even if it's not quite as much of a powerhouse as Mirrored was, it shows that the trio version of Battles is lean, creative, and surprisingly adaptable.
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Jun 7, 2011Despite all the guests, and the nods to global pop, Gloss Drop will still be best enjoyed by groove heads, whether they come from the rock or dance worlds, but if you worried Battles would run out of surprises on album two, who knew they'd find common ground between post-punk devotees, Yes fans, and the children of UK funky?
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Jun 6, 2011Gloss Drop is an impressive record: impressive for both its sense of experimentation and its attempts to be polarizing in that it is a whack of a lot more commercial.
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UncutJun 3, 2011The departure of vocalist Tyondai Braxton appears to have knocked them off stride a little, but they are certainly an ensemble group, and a raft of guests keep things frisky. [Jul 2011, p.77]
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Jun 3, 2011Gloss Drop is powered by a tireless, ingenious sense of play. Admittedly, it is sometimes the sort of playfulness displayed by quantum physicists and pure mathematicians. But hey, get the numbers right and everything else just slots into place.
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Jun 8, 2011Battles' sophomore full-length is arguably more perseverant triumph than massively accomplished successor. But for a band that's prided itself on spontaneous adaptation over calculated formula, the experimentation with vocally rooted material could hint at an amazing next step.
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Jun 3, 2011Braxton's clever, found-sound loops are missed, but the remaining members' rampant ideas and inexorable groove keep Battles engrossing.
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Jun 6, 2011The record stands as a solid collection from a trio of exceptionally talented individuals.
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Jun 3, 2011As a whole, the album has a lot of impressive musicianship, outstanding atmosphere, and interesting composition. That said, it lacks a lot of the pure, frenetic energy with which its predecessor pushed and pummeled.
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Jun 6, 2011[Gloss Drop] is one of the most startling, visually emotive albums we've heard in years. Vividly audacious.
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Jun 8, 2011Gloss Drop, with its syncopated beats and chiming new-wave keyboards, dials up the warmth from their math-y, angular debut and injects far more humanity than most dance records allow.
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Jun 20, 2011Battles is, first and foremost, an instrumental group, but the tracks on Gloss Drop that do feature a guest vocalist are the undisputable highlights.
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Alternative PressJun 3, 2011Well paced and thoroughly engaging, the Braxton-less Battles have accomplished the seemingly impossible with Gloss Drop: They've actually gotten better. [Jul 2011, p.107]
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Jun 7, 2011Gloss Drop is the most self-sufficient world Battles have made yet, and a pretty good argument in favor of music that gets less and less interesting the more you know about it.
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Jun 14, 2011Battles have a fascinating, distinct sound of their own; they don't need Gary Numan crooning overtop.
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Jul 22, 2011Like those early EPs, Gloss Drop relies more heavily on complex rhythms and wonky melodies to get its point across.
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The WireAug 12, 2011The disc's closing one-two punch of "white Electric" and "Sundome," render Glass Drop a triumph, and a major evolutionary leap. [July 2011, p.44]
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Jun 14, 2011Every track is dizzying, eventful and a little zany.
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Jun 7, 2011Though the sound can come off as aggressive, if not anxiety-inducing at times, it's the tiny revelations that make the vicious drumming, harsh guitars and freaky vocals worthwhile, summing up for an experience that is as delightfully fucked up as it is musically seamless...with unexpected steel drums making appearances in between.
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Jun 6, 2011Gloss Drop shows a band still well ahead of the curve in terms of how they perform music, and one that understands how an aesthetic can be stretched to its most experimental limit and retracted to a simple confection without a wide chasm between the two modes of expression.
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Jun 10, 2011Gloss Drop may be a less solid and coherent album than Mirrored, but it is still a remarkably promising follow-up. As always, the music is cerebral, engaging, technically stupefying, and utterly original.
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Dec 19, 2011Gloss Drop is a definitely strong final outcome.
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Jun 3, 2011Gloss Drop is another infectious, drug-induced carousel ride in which electric guitars sound like short-circuiting circus organs and drums punch through the mix like atom bombs--but there's a distinctly multi-cultural vibe here.
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Jun 30, 2011Battles still sound determined here to inject their precision-geared prog-pop with the kind of humor and adventure one rarely encounters among bands that possess chops like these.
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Jun 6, 2011The second studio album from the experimental New York trio oozes colour.
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Jun 6, 2011"Playful" isn't often the first word that comes to mind when listening to music with this kind of cerebral veneer, but it's a perfectly apt description of Battles' subversive and frequently delightful brand of avant-pop.
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Jun 8, 2011Stripped down to a three-piece since Tyondai Braxton's surprise departure, Battles' sophomore effort may not have a nailed-on stand-out like their debut's Atlas but their dizzying electro-prog has a great deal more focus this time around.
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Jun 6, 2011Despite (or maybe because of) the absence of Braxton, Battles has soldiered on into new musical territory, and discovered a place that is simultaneously confrontational and inviting, esoteric and playful, technical and infectious-and very, very good.
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Jun 7, 2011So much better than a Ferrari that never needs a tune-up, muse I. In the studio they're less accident prone, and they still tintinnabulate some. But now they also grunt.
User score distribution:
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Positive: 34 out of 38
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Mixed: 4 out of 38
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Negative: 0 out of 38
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Jun 8, 2011
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May 11, 2013
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May 18, 2012