Gold Dust - Tori Amos
Gold Dust Image
Metascore

Generally favorable reviews - based on 13 Critics What's this?

User Score

Generally favorable reviews- based on 12 Ratings

  • Summary: The second release under the Deutsche Grammophon label from Tori Amos contains 14 [15 on the deluxe editions] of her songs reworked with the Metropole Orchestra conducted by Jules Buckley.
Score distribution:
  1. Positive: 7 out of 13
  2. Negative: 0 out of 13
  1. Oct 2, 2012
    87
    Re-sculpting many of her best loved songs, the complexity of her musicality emerges from the intensity of the originals-as dynamics are truly sculpted and the songs take on new and often more ominous colors.
  2. Nov 29, 2012
    80
    The orchestral setting tempers the mannered vocal tics of some originals and proves transformative. [Dec 2012, p.96]
  3. Dec 4, 2012
    80
    The tunes sound lustrous but Amos, the singer and writer, sounds richer. [No. 93, p.53]
  4. Oct 1, 2012
    60
    Unfortunately, the remainder of the tracks on Gold Dust simply aren't significantly better or worse than they were in their original forms.

See all 13 Critic Reviews

Score distribution:
  1. Positive: 3 out of 6
  2. Negative: 2 out of 6
  1. This may be one of my favorite Tori Amos albums to date. Beautiful song choices. The emotion behind the songs are increadable. I was disappointed when I first found out it was an album of reworkings but I can not sstop listening to it. Why did i think Tori would disappoint, she never does. Collapse
  2. 8
    It is necessary to listen several times to find the true sense: the song "Marianne" (which for me went unseen in the album "Boys for Pele"), has an outstanding interpretation also thank the impulse that gives the orchestra. The same goes for "Flying Dutchman", "Maybe California" and "Cloud on my tongue". The songs that fewer caught my attention are "Snow cherries from France" and "Gold dust", the would replace by the "Caught a lite sneeze" and "Spring haze" for saying some of the tori-pieces. Expand
  3. Surprising decisions made here. Some songs are very interesting in their new incarnation, others less so. Overall, the orchestration is beautiful, and her incessant vocal layering, which she's known for doing on every studio record, is distracting and unnecessary (most of the time). That the same formula applies even on her "classical" recordings is rather frustrating. Still, some gems here. Expand
  4. 3
    I'm sorry, but you've got to be kidding me. When I first listened to this album, I thought there was some mistake. The songs sound exactly like the original versions. After putting on headphones and trying again, I can hear that they are new recordings, but barely. Sure, there's orchestration and it's pretty, but I would absolutely not call these "re-workings." If you played these for random people and had them listen to the old versions, they would be hard pressed to tell you what is different. I'm a huge Tori Amos fan, but there has just been something terrible happening with her music with everything after American Doll Posse. I'm sure plenty of people will think this album is great, but I really thought I was going to get "new" versions of the songs with completely different feelings. It just feels lazy to me. If you want to buy it, I highly suggest you listen to some samples first to make sure you know what you're getting. Expand

See all 6 User Reviews