Gorillaz - Gorillaz
Gorillaz Image
Metascore
71

Generally favorable reviews - based on 18 Critics What's this?

User Score
9.0

Universal acclaim- based on 131 Ratings

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  • Summary: Forget concept albums; this is a concept band. Formed by Dan "The Automator" Nakamura, Del tha Funkee Homosapien, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and the Tom Tom Club's Tina Weymouth and Chris Frantz (with visuals by "Tank Girl" creator Jamie Hewlett), the Gorillaz are a "virtual" hip-hop outfit of cartoon characters based somewhere in the future. Hey, we don't make this stuff up; we just report it. Expand
Score distribution:
  1. Positive: 11 out of 18
  2. Negative: 0 out of 18
  1. 100
    Cleverly mixes soft-focus hip-hop, trippy space rock and Ennio Morricone-style melodrama with Albarn's unwavering pop melodies.
  2. Albarn is the melodious voice of western pop tradition throughout; at first you might think his are the barmy brains behind this band, but it's just not so. His loose-kneed vocals are like pop tarts in this bumbling hip-hop parade, but it's the bumble that makes the rumble.
  3. The slow rumble of Nakamura's production, Hewlett's outstanding graphic model, even Albarn himself all fuse into a convincing gestalt.
  4. 70
    What could have been hipster reach is multiculti grasp of the sweetest kind. [Jun 2001, p.148]
  5. Much of the album has the odd, rehashed sound of a Blur record produced by the Automator, but the diverse guests keep at least every other song fresh and new.
  6. Inspired by the punky reggae parties of Sandinista!-era Clash, tracks like the dub-rap-rock mutation "Clint Eastwood" and its catchier two-step Rasta remix bring back the exuberance missing from Blur's last album, 13, while running with its anything-goes avant-aesthetic.
  7. It's what you might expect from a bunch of musos playing with Cubase or ProTools: sampled loops, Brixton dub, trip-hoppy tangents. U.N.K.L.E.'s bratty nephew, really, though the album sounds like the group locked the metronome on "heavy funk groove"--chugging and satisfying at first, it feels exhausted by the fifth or sixth track.

See all 18 Critic Reviews

Score distribution:
  1. Positive: 62 out of 64
  2. Negative: 1 out of 64
  1. JamesS.
    Nov 17, 2001
    10
    I really liked this cd it's a very cool group thanks for this song
  2. VadamercaN
    Jul 27, 2007
    10
    Both energetic and easy-listening, this CD brought together so many fans and listeners, the world could even be saved from global warming. If your looking for pop, rock and hip-hop all in one album, this is a must-have. Expand
  3. robbinn
    Mar 15, 2003
    10
    den e bra
  4. MichaelS
    Jul 11, 2005
    10
    Its Gorilazishious!
  5. Oct 22, 2010
    10
    WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOoooooot Expand
  6. Sep 26, 2010
    9
    I can't believe how mind-bending this album is. You get a song that comes out of some random Japanese show ("19-2000") and then turns into a day into the streets of Mexico ("Que Pasa Contigo"). Damon has created something not only for him, but created something entirely different. Listening to this album in the dark is just plain out creepy, with the tracks "Slow Country" and "Sound Check". This was something really new for me, and helped me expand my joy for music genres, rap being the most influential. If you hate it the 1st time, trust me, it will get better short after. Standouts : "5/4", "Clint Eastwood", "19-2000", "M1A1"

    Overall Score : 8.9
    Expand
  7. randomperson
    May 25, 2006
    2
    Greatest Cd EVA !!

See all 64 User Reviews

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