Hail To The Thief

  • Record Label: Capitol
  • Release Date: Jun 10, 2003
Metascore
85

Universal acclaim - based on 26 Critics

Critic score distribution:
  1. Positive: 22 out of 26
  2. Negative: 0 out of 26
  1. Sprawling, overwrought, unkempt rock music.
  2. 60
    The album seems resigned, defeated, passive -- like an hour-long sigh. [#17, p.130]
  3. Hail to the Thief's big drawback has less to do with its similarity to its predecessor than the sense that Radiohead's famed gloominess is becoming self-parodic.
  4. The new songs have attitude, but they sound like outtakes from 2000's classic Kid A and 2001's lesser Amnesiac.
User Score
8.7

Universal acclaim- based on 477 Ratings

User score distribution:
  1. Negative: 8 out of 208
  1. Jan 2, 2013
    10
    It would appear that many of the lukewarm or negative reviews of Hail to the Thief have more to do with the density of this album [rather thanIt would appear that many of the lukewarm or negative reviews of Hail to the Thief have more to do with the density of this album [rather than any sub-standard songwriting on Radiohead's part]. Compared with the sparser textures of Kid A and [to a lesser extent] Amnesiac, which made these records more accessible despite the music's experimental nature, Hail to the Thief is thick with sound and heavily layered. Not only does this mean that more plays are needed to get to grips with, and appreciate, the power of the songs and their many subtleties, but also that listening to Hail to the Thief is exhausting - a result of the dense texture combined with a sense of melancholy and heaviness that saturates the 14 tracks. The fact that O'Brien and Greenwood have picked up their guitars again as well as the band continuing to use electronic sounds means that Hail to the Thief can be likened to Radiohead around the time of The Bends/Ok Computer playing at the same time as Radiohead circa Kid A. Given this, it is no wonder there is a lot going on, sonically.
    As ever, Radiohead are breaking a lot of new ground here, as is especially apparent in tracks like A Wolf at the Door [musically pretty verses with a Yorke's drunken stream-of consciousness overlaid, and a simple, catchy, and highly effective 'The Bends'-like chorus], and the dance-like Backdrifts [with the chord progression that sounds like it should go with a piano ballad, but rhythmic elements and electronic pips that belong on the dancefloor]. However, there are plenty of nods to previous albums in Hail to Thief; Johnny Greenwood's shimmering octave-up guitar effects on Sail to the Moon are reminiscent of Subterranean Homesick Alien, and his playing on Go To Sleep could easily belong on The Bends.
    Hail to the Thief also has its share of Radiohead's signature melancholic beauty, in the piano and glockenspiel opening of Sit Down. Stand Up[before it is shattered by a storm of electronic and vocal raindrops], the soaring slowness of Sail to the Moon, and pure vocal harmonies in I Will [surely Radiohead are masters of making anger something so beautiful]. The Upshot: All these factors combine to make an album that's success is due to the right mix of original sonic experimentation and elements from their previous albums. Of all their studio albums, Hail to the Thief is likely the most difficult to digest and comprehend, but to do so is certainly worth it. Persevere in getting to know the songs intimately, and be rewarded with the emotional power and musicianship of Radiohead at their very best.
    Full Review »
  2. MarcR
    May 21, 2003
    10
    An extremely strong album, as the band has managed to incorporate the best elements of their last three albums. By far one of the year's An extremely strong album, as the band has managed to incorporate the best elements of their last three albums. By far one of the year's best. One question remains for arguably the best rock n roll band right now, -where to go, from here? Full Review »
  3. ReidM
    Aug 15, 2009
    10
    This album has it all. The most versatile, poetic, beautiful, ugly, gritty, engaging, sick, ass-kicking piece of intelligent, This album has it all. The most versatile, poetic, beautiful, ugly, gritty, engaging, sick, ass-kicking piece of intelligent, thought-provoking rock-n-roll I've heard in a long time. Full Review »