Hail To The Thief - Radiohead
User Score
8.7 out of 10

Universal acclaim- based on 376 Ratings

User score distribution:
  1. Negative: 13 out of 376

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  1. MarcR
    May 21, 2003
    10
    An extremely strong album, as the band has managed to incorporate the best elements of their last three albums. By far one of the year's best. One question remains for arguably the best rock n roll band right now, -where to go, from here?
  2. ReidM
    Aug 15, 2009
    10
    This album has it all. The most versatile, poetic, beautiful, ugly, gritty, engaging, sick, ass-kicking piece of intelligent, thought-provoking rock-n-roll I've heard in a long time.
  3. Jan 2, 2013
    10
    It would appear that many of the lukewarm or negative reviews of Hail to the Thief have more to do with the density of this album [rather than any sub-standard songwriting on Radiohead's part]. Compared with the sparser textures of Kid A and [to a lesser extent] Amnesiac, which made these records more accessible despite the music's experimental nature, Hail to the Thief is thick with sound and heavily layered. Not only does this mean that more plays are needed to get to grips with, and appreciate, the power of the songs and their many subtleties, but also that listening to Hail to the Thief is exhausting - a result of the dense texture combined with a sense of melancholy and heaviness that saturates the 14 tracks. The fact that O'Brien and Greenwood have picked up their guitars again as well as the band continuing to use electronic sounds means that Hail to the Thief can be likened to Radiohead around the time of The Bends/Ok Computer playing at the same time as Radiohead circa Kid A. Given this, it is no wonder there is a lot going on, sonically.
    As ever, Radiohead are breaking a lot of new ground here, as is especially apparent in tracks like A Wolf at the Door [musically pretty verses with a Yorke's drunken stream-of consciousness overlaid, and a simple, catchy, and highly effective 'The Bends'-like chorus], and the dance-like Backdrifts [with the chord progression that sounds like it should go with a piano ballad, but rhythmic elements and electronic pips that belong on the dancefloor]. However, there are plenty of nods to previous albums in Hail to Thief; Johnny Greenwood's shimmering octave-up guitar effects on Sail to the Moon are reminiscent of Subterranean Homesick Alien, and his playing on Go To Sleep could easily belong on The Bends.
    Hail to the Thief also has its share of Radiohead's signature melancholic beauty, in the piano and glockenspiel opening of Sit Down. Stand Up[before it is shattered by a storm of electronic and vocal raindrops], the soaring slowness of Sail to the Moon, and pure vocal harmonies in I Will [surely Radiohead are masters of making anger something so beautiful]. The Upshot: All these factors combine to make an album that's success is due to the right mix of original sonic experimentation and elements from their previous albums. Of all their studio albums, Hail to the Thief is likely the most difficult to digest and comprehend, but to do so is certainly worth it. Persevere in getting to know the songs intimately, and be rewarded with the emotional power and musicianship of Radiohead at their very best.
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  4. M.O.
    Aug 5, 2003
    3
    Disappointing and far the worst radiohead album yet.
  5. BonzaC
    Jun 23, 2003
    8
    A very good album, but there are a few fillers on this album.
  6. StephenB
    Jun 6, 2003
    10
    Pure genius radiohead. They haven't once recorded or released a bad record and this is no exception to that rule. A nice blend of the older, more guitar based songs with some new electro classics like the gloaming chucked in there.
  7. Jules
    Jun 9, 2003
    10
    Fantastic stuff - Dan D has it just right - this album lives and breathes much more than the headspaces of its predecessors - it even has something that so few reviewers have mentioned - a sense of humour - dark and perverse, but defintely there. There is a camp sense of its own drama throughout this album - coming to a head in the hilarious (and troubling) we suck young blood. Don't be too earnest people - this is the greatest show on earth and Radiohead know it. Expand
  8. DanielN
    Mar 18, 2010
    9
    What a beautiful soundscape. What a journey within yourself. Picking apart the textures on this perfect album is on of the most pleasurable things I have ever done.
  9. j30
    Sep 21, 2011
    9
    Just another solid input to the Radiohead cannon of records. This album pretty much sums up their career to this point. The glitchy electronica, great lyrics, and guitar freak-outs. Radiohead has it all.
  10. Jul 15, 2012
    10
    there is a reason why radiohead is my favorite band. its because i cant put their albums in a specific genre and in this one especially show all the sounds and experimental abilitys of Yorke and company.
  11. GomerPile
    Aug 10, 2003
    9
    Another fantastic record. I can't get enough. Man, Radiohead is just plain scary. As if this record wasn't enough to keep me comfotably numb for years to come, I get to see them live again in a couple of weeks. Can't wait to see some of the material from this record live. I have no doubt that it will be another blissful couple of hours. Go buy this record right now but as with everything worth a damn, it will take a few listenings before it will sink it's claws into you. Expand
  12. BitBurn
    May 27, 2003
    8
    Ok well. Mmh...What is that thing? It's an album! The new one from Radiohead!! Yeah yeah right. Music for the intellectual mind. Sounds for the soul. Simplicity. Complex, confusing?!! What am I saying. You see, my review fits the picture of this record!
  13. DavidB
    Jul 18, 2003
    9
    Best album ever
  14. byDivineRight
    May 30, 2003
    5
    This album seems to have two faces. One is based on more tradition instraments such as the piano and guitar while the other based mostly on computer beats. The computer based stuff is terrible. You sit there listening for the big payload and then the song ends. Monotone is the one word i can think to sum it up best. That and rubbish. The traditional stuff however is outstanding. 2+2=5 is one of a kind, sail to moon, scatterbrain, and my faviorite go to sleep are out of this world. If they would just cut out the electronic garbage and stick to what there good at they would have in me a new number 1 fan. But since have the songs are this new age electronic garbage half of a perfect mark is all i can give them. Expand
  15. nathans
    Jun 22, 2003
    10
    Hail to the Radiohead!
  16. JohnL
    May 29, 2003
    10
    "Hail to the Thief" has a little of the best aspects of the four last albums of the band. Attention for "2+2=5", "I Will" and "Go to Sleep". A great record.
  17. I'mSadBrandon
    Aug 7, 2003
    6
    I love's them radiohead...but I'm very dissapointed with this ablum. It's starting to sound like, I don't know, maybe they're trying to put something out that might get some radioplay again. They're running out of (good) ideas and are starting to do a little bit of the sell out business.
  18. AdamM
    Sep 22, 2003
    10
    At a first listen you see that it has potential. Your second listen will tell you what songs that you don't really like. The third will allow you to really wrap your head around some of the easier complexities of this work. Eventually, you will realize that this albums rocks you like most groups could never dream of doing.
  19. Ollie
    Oct 3, 2003
    10
    Wasn't won over by this album at first, but after a few listens you begin to see through its dark surface and uncover the beauty beneath. Standouts are "2+2=5" , "Go to Sleep" , "There There" and "A Wolf at the Door". My personal favourite on the album though, would have to be "Sail to the Moon". I am lost for words to decribe this track's genius in timing!
  20. FuqacriticJones
    Oct 15, 2003
    10
    eh, whatever the people who hate a band as soon as they become popular want to say. it's all blah blah blah anyway...this is the best album of the year. bar none.
  21. KiheoT
    Oct 22, 2003
    4
    Dark, mediocre and downright whiny- Thom Yorke at his worst. I agree a few listens improves the album but it doesn't hang together like Kid A or Amnesiac. Painfull to listen to all the way through
  22. laura
    Nov 5, 2003
    10
    wonderful...everyone MUST buy it.
  23. BrianC
    Nov 26, 2003
    8
    It is an excellent album;however, I believe I became depressed as a result of listening to the album.
  24. PedroG
    Nov 28, 2003
    10
    Como siempre Radiohead los mejores discos y porsupuesto refrescando su estilo musical
  25. BenD
    Dec 19, 2003
    9
    This CD does indeed require several listening sessions before it fully soaks in, however, in the end it is well worth it. Yet another of the seemingly endless masterpiece creations that Radiohead consistently puts out!
  26. LeoS
    Jan 29, 2004
    5
    C'mon man! ANYBODY can evidently notice that there's SOMETHING (A LOT OF IT) missing. Turn the lights off and get ready to get depressed.
  27. rpggrrrl
    Feb 7, 2004
    10
    I really had no idea what to expect when I picked up Hail to the Thief, my first ever Radiohead album. I tried them out because I am a giant REM fan, and I heard they toured together and got on quite well. I have to say I'm impressed enough with Radiohead, that I went out and bought their entire back catalog. I am equally pleased that they are not a flash in the pan. After listening to the rest of their work I found all but their first album to be top notch if not easy listening. I would only despise them if that were the case. Despair, anger, hurt, confusion, betrayal - these are always interesting emotions to explore, and they bring them alive. Even better, they've got great percussion, fine guitars, and Thom Yorke whose haunting, hypnotic voice I can find few comparisons for - you could just cop out and say his voice is bad, but that would be discounting his skill at using what he knows he's got - and I've heard more revered rock legends who had worse voices (Ian Curtis, Morrisey, hmmm) succeed admirably. If you don't like this album, perhaps you should be listening to something more obscure or more pop. Give it away, sell it, it will easily hook someone else. Any band that can create songs like Bullet Proof, Climbing Up the Walls, Idioteque, Go To Sleep, or Wolf at the Door deserves some recognition. Expand
  28. KidA
    Feb 16, 2004
    9
    Only Elephant topped this in 2003. "Back to rock" "OK Computer 2" or whatever, this is still a fantastic record. 2+2=5 was the most exhilarating song of all last year. There There is brilliant, as is Go To Sleep, Sit Down Stand Up, Wolf at the Door, Punchup, etc. In fact, everything with the exception of We Suck Young Blood and The Gloaming warrants many many listens. Get it
  29. boboJJ
    Jul 7, 2004
    9
    its taken a YEAR for me to decide that this album is so highly rated. first i thought it was about a 7 then an 8 and now i think its a 9. its a reeeaaaallllll grower.
  30. JoshNobodinows
    Jun 8, 2003
    10
    This is a great cd hands down. However this site needs to add the review of it by www.drownedinsound.com (5/5).
Metascore

Universal acclaim - based on 26 Critics

Critic score distribution:
  1. Positive: 22 out of 26
  2. Negative: 0 out of 26
  1. As admirable as Radiohead's quest ongoing quest to ignore expectations, tear up the manual and proudly rebel against the limitations of 4/4 time seems, some of Hail To The Thief comes dangerously close to being all experimentalism and precious little substance. [Jul 2003, p.98]
  2. Of course it's political, and of course it continues to merge electronic experimentation with more familiar rock structures; but it employs all those debate-igniting props simply to further the band's more pressing agenda: to tirelessly explore beauty's terrible fragility.
  3. Hail to the Thief is overloaded with miraculous sounds.