Happy Hollow - Cursive
Metascore
78 out of 100

Generally favorable reviews - based on 24 Critics

Critic score distribution:
  1. Positive: 20 out of 24
  2. Negative: 1 out of 24
  1. Even if you can't fully grasp the disc's existential subject matter, Happy Hollow is still a pleasure on the ears. [Sep 2006, p.207]
  2. All that metaphysical hand-wringing makes for some knotty songs, but the band attacks them with zeal. [25 Aug 2006, p.86]
  3. Intelligent indie-rockers, look nor listen no further for your possible album of the year.
  4. It's Cursive at their finest, challenging and smart and absolutely riveting.
  5. 84
    [Kasher's] storytelling is still right up there with the very highest of Saddle-sitters. [#21, p.97]
  6. Like its predecessor, Happy Hollow is a moody album with an inherent instability.
  7. 80
    Happy Hollow swings with the nutty abandon of Madness, sharpened with the literate punk frenzy of Fugazi. [Oct 2006, p.104]
  8. 80
    Musically, his furiously gear-shifting punk-pop, full of horn blasts and arty production tricks... never fails to rock the sermon. [Aug 2006, p.107]
  9. 80
    A lively collection. [Sep 2006, p.132]
  10. 80
    An emo album that you don't have to be 17 to actually enjoy. [Sep 2006, p.100]
  11. It's an often frustrating listen, but in the end the album is a triumph.
  12. 80
    A personal (and personnel) triumph for the band. [#73, p.90]
  13. An ambitious, sprawling string of songs.
  14. There's an attention to detail and storytelling nous built up by those previous concept albums that makes further listening and exploration of Happy Hollow that much more rewarding.
  15. In the end it's the guitars, which alternate from restrained, melodic jangles to serrated feedback screams, and the general sense that Happy Hollow chronicles life during wartime that hold these 14 tune together, hymns or otherwise.
  16. While the album somewhat lacks the emotional punch of The Ugly Organ, it makes up for it in a fine storytelling tone and some bitchin' horns. [Summer 2006]
  17. Cursive aspires for greater things, and Kasher's aims are marred by over-production, a Nickelback whoosh here, a digitized cascade there.
  18. 70
    Happy Hollow serves up more emo with prog on the side, then adds dirty blues, cabaret and art-rock garnish. [Sep 2006, p.79]
  19. [Kasher] stretches his tormented yowl and harsh guitars, with his band bashing even louder than on its 2004 breakthrough, The Ugly Organ. [7 Sep 2006, p.105]
  20. The first seven songs kill, but the album's second half drags on longer than a Def Jam debut.
  21. Although Cursive is still one of the best at what it does, "Happy Hollow" fails to live up to previous greatness.
  22. If Happy Hollow doesn't astound lyrically, though, it swings with force musically.
  23. The painful punning of Bad Sects is just one of the many cringeworthy moments on an album that sees grown men wallowing in a teenage wasteland from which they really should have moved on.
  24. Happy Hollow is far too grouchy to be taken seriously.
User Score

Universal acclaim- based on 15 Ratings

User score distribution:
  1. Positive: 12 out of 14
  2. Negative: 0 out of 14
  1. BenS
    9
    The lyrical content on this album left much to be desired; it was angstful to the point that I stopped trying to look for redeeming quality in the lyrics. Still, the musical content (including Kasher's voice usage) was impeccable. It was powerful, the beats were complex and original, the horns were a nice touch, although still not as good as the strings from Ugly Organ, and everything blended together well very nicely. If Kasher would've opted to stick to lyrics that make him appear older than 14, I would have given it a 10. Full Review »
  2. MitchM
    10
    A fun ride the whole way through. Better than Ugly.
  3. KennyM
    10
    The most lyrically and musically progressive album that has come out in a long time...even if you don't dig the direction cursive has gone in since the ugly organ, you must agree this album is epic, well-written, and important to the advancement of alternative rock...and it has some bitchin' horns. Full Review »