• Record Label: Columbia
  • Release Date: Aug 28, 2012
User Score
7.1

Generally favorable reviews- based on 54 Ratings

User score distribution:
  1. Positive: 37 out of 54
  2. Negative: 7 out of 54
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  1. Apr 27, 2013
    2
    Alanis proved through the years to be as talented as a musician as she is a good partner in love something we can conclude embarrassingly through her excessive private life exposure in her songwritting where everybody else is always the problem, never her. Though her first solely self produced album Under Rug Swept had quite good hooks for her then assumed radio-lite-pop rockAlanis proved through the years to be as talented as a musician as she is a good partner in love something we can conclude embarrassingly through her excessive private life exposure in her songwritting where everybody else is always the problem, never her. Though her first solely self produced album Under Rug Swept had quite good hooks for her then assumed radio-lite-pop rock orientation, so far in the last 10 years she just released rubish and lazy work. Havoc and Bright Lights I love how the titles of her songs and albums are so pseudo intellectualized is however the worst of all. Some may think she just succeeded during her lifetime career thanks to her producers who polished her talents specially Glen Ballard however she already proved to do fine by herself and Mrs. Morissette problem here is actually lazyness to cope with her own work. If the title for her works are pompous and promising, you always happen to find out is just a fancy wrap for a cotton candy tasting like water. She should just embrace her now motherhood and save us from the baby lullabies. Better follow Kate Bush example and stay home baking cakes and taking care of your son. Your husband can pay the bills, you don't need to embarrass yourself anymore Alanis. Expand
Metascore
55

Mixed or average reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 17
  2. Negative: 3 out of 17
  1. Uncut
    Sep 14, 2012
    40
    Mostly, though, Morrisette succumbs to her dual predilections for quasi-spirituality and stultifying sappiness. [Oct 2012, p.84]
  2. 70
    Morissette's poetic discourse of intimately describing her feelings still abounds, but is elegantly emoted here with cool restraint.
  3. Aug 30, 2012
    50
    While it may be a difficult task to get through all 12 psycho-babble-filled tune on havoc, it's not entirely a wash or without merit. Ultimately, if you're not into hearing someone use their artistic expression to vent their frustrations and contemplate fairly uneducated meanderings on the current social state, or you're not struggling with your own identity lacking the mental capacity to understand your surroundings, you need not apply.