NME need to throw in the towel, a 7 for Britney Spears, but a 4 for Fleet Foxes? Was this written by some guy who someone keeps locked away in a basement somewhere? Perhaps they don't allow him sharp objects, so instead of pencils, he writes his reviews with his own fecal matter? Regardless, Helplessness Blues is an instant classic,it also translates really well live. There really isn't anything else that needs to be said, this album will go down in history.… Expand

I began listening to this album with extreme expectations, judging by how wonderfully crafted their debut album was when they released it back in 2008. Let me just start by saying that I was highly impressed by the Fleet Foxes' sophomore album "Helplessness Blues." Each song manages to stands on it's own, and also works together with the rest of the songs to construct what I consider one of the best albums I have heard this year so far. The vocal harmonies make a solid return on this album, and the band manages to retain their unique sound they so steadily held on the past few releases. I absolutely look forward to hearing more from Fleet Foxes in the future.… Expand

I agree with NME ... "They lull you in with their flawlessly polished music and hey-nonny-nonny you into a hypnagogic state, with the aim of making the world safe for the bland, the dull and the wi-fi enabled" (thanks Gavin Haynes) Plus, didn't Pecknold want a very organic feel ... to the likeness of Van Morrison's masterpiece Astral Weeks? Ahh..I don't feel it. The maturity of Pecknold's lyrical content is clear and his voice is as magnificent as on the self-titled album. Yeah, I guess the album is just, simply, boring. I guess if spring ever arrives maybe the album will start to grow on me.… Expand

From the Cover Art to the title "Sim Sala Bim", The Fleet Foxes do not disappoint with Helplessness Blues. Continually seducing the ears track after track to hold on one more note while the song blends perfectly with the next. The album is a perfect sequel to their debut. Not disappointed in the slightest.

I was worried that this album would be too much of a departure from the first(which is one of my all-time favorites). I'm pleased to say the album is different from the first, but keeps the tone-rich sound that the first one had. The arrangements on this one are just a little more full than the first which makes it one that you have to listen to more than once. Bottom line is it's almost as great as the first one.

I have to say that NME's review is idiotic. I can understand if this music is not your cup of tea(not really mine either, but I think FF's are exceptional), but instead of critiqueing the entire genre of this type of music try judging THIS ALBUM for it's merits, and understand that others don't necessarily agree with your assessment of what is "boring" music. Some of us can stomach what you think is boring, so don't preach to us just review the album.… Expand

An absolutely beautiful piece of work. The only reviewers who give this album a lower rating are the mainstream magazines who are more than likely driven with the interest of profit rather than creativity. If you enjoy music that is created and spoken from the heart, then purchase this album.

Fleet Foxes are, and have always been amazing, this album is no exception. Understated, super honest, gorgeous woodsy folk from the heart. This album is a bit more subdued and humble than the previous, but no less outstanding for it.

Going into this one was peculiar - though I was one of the few people I know who didn't obsess over their debut, I still had great expectations. I think one of the reasons I adore Helplessness Blues is that it's precisely what I wanted to hear the Fleet Foxes do throughout listening to their debut. There's an undeniable knack for songwriting, and I would argue their melodic sensibilities trump those of harmony. Highlights include the thrilling yet understated title track, the entirety of "The Shrine / An Argument" (especially the surprise growl - grrrreat!), and the big-picture production of the album. Few records possess the range of emotions and grooves present in each track and put them together to make as much sense as it does on Helplessness Blues.

Fleet Foxes, I knew you would come through for me.… Expand

I can't help but feel that this bands sentiments are all a little hollow. It's really pretty, catchy music but it has to lose some artistic merit points on some of the gag worthy lyrics. I'll take the new Bon Iver or Antlers over this one.

I found Helplessness Blues to be a lot more human, accessible, and mature than their first album. The title track alone contains more emotion, passion, and insight into the human condition than the entire first album did. It's great to hear these guys broaden their sound and scale back most of the cuteness and droning, unrelatable renaissance fair balladry about mountains and Robin Pecknold's brothers that marred the first album. The first three tracks still veer a little too close to that territory for my tastes (especially Bedouin Dress), but as soon as the pounding drums of Battery Kinzie kicks in, so does the album. Grown Ocean, Lorelai, and the title track are all terrific examples of Fleet Foxes breaking out of their bland, gentle shell and realizing their potential as indie folk extraordinaires.… Expand

Fleet Foxes self-titled debut was a perfectly structured, articulated folk record that instantly pulled you into it. An amazing record. Helplessness Blues is no Fleet Foxes (album), but it is a very great attempt. It almost surpasses there debut. The sound is a lot broader in this album. Robin Pecknold's vocals haven't necessarily matured, but they still sound as wonderful as ever. All In All, Helplessness Blues is a wonderful album that's almost as great as there debut. A-… Collapse

A full review:
http://ludditestereo.net/2011/05/03/helplessness-blues-fleet-foxes-album-review/

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It's pretty funny that the only bad review is from NME, who is showing their true biased colors after getting into words with fleet foxes after quote mining Robin and trying to make him sound like he said something he didn't. Of course he called the NME out on this on twitter and told them to remove the story. I guess they held that against them in their review.

Gavin Haynes of NME is clearly not familiar with canoozing, a beloved summer pastime here in the Pacific Northwest. The former was the main point of my posting but in order to make it to 150 wordsâ

A fantastic LP that could probably eclipse their debut release. Of course only time will tell, but currently on my 3rd listen I must say I have a stronger affection to this album than their first. Ultimately I found this a more rewarding listen. They've come a long way in terms of song writing and versatility. I honestly can't fault this album. Highlights for me include The Shrine/An Arguement, Helplessness Blues, Grown Ocean & Montezuma.… Expand

Fleet Foxes was a new concept to me this year. I listened to their first album and this one together. Both are great. Even though it may not be as good as their debut album, it is still one of the better albums of 2011 that I have heard. The music of Fleet Foxes is very unique. Not many artists use a lot of instruments in their music (just a computer screen with lots of sound effects like pop songs). It is a beautiful album that I would recommend to those that enjoy folk/rock and indie rock (and maybe a little bit of experimental rock in there too). The songs that I would recommend are "Bedouin Dress", "The Plains/Bitter Dancer", "Helplessness Blues", and "The Shrine/An Argument".… Expand

http://audiosuede.com/fleet-foxes-helplessness-blues/ It's not quite up to the potentials of the first album, especially the first 3-4 songs, but the second half is gorgeous; stripped of its early boredom, the latest Fleet Foxes is not only brilliant but endlessly listenable. With the early issues, it's good, not great.

The Fleet Foxes have not disappointed with this sophomore release. The harmonics are astounding as usual; the echoing lofty sounds of Robin Pecknold's voice blending perfectly with the rest of the band. The sounds are quiet, contemplative, and beautiful to listen to. I couldn't have hoped for any better after their first album, but they went ahead and delivered better anyway.

As one of the most anticipated releases of the year there is no doubt that expectations were high for this sophomore release. What Fleet Foxes have achieved where so many others have failed is to not only eclipse their first album, but to leave it completely in the dust. Where Fleet Foxes attempted (and largely succeeded) in rising above the monotony of popular music today, Helplessness Blues manages to keep this goal in tact, while managing to produce a sound that will likely appeal to both the masses and the critics. The result is an accomplishment that is reminiscent of simultaneously waking up on a mountain summit on a brisk dawn and coming home after a long hiatus to sit by a familiar fire. Moreover, Fleet Foxes have finally proven they can firmly hold the torch previously carried by CNSY, the Beach Boys, and Simon & Garfunkel.… Expand

I was hoping for something more up-tempo in the follow up to their debut but instead, Robin Pecknold grows in his own direction, the direction the music is taking him, I think. It has so many instances of beauty and I think I shall be discovering things I like about this album (and this band) many years from now. Comparisons to Van Morrison are probably apt.

Canoe dig it? LOLZ But in all seriousness, this is just a rehash of old folk, a good one don't get me wrong but a rehash nonetheless. The debut was out of this world and original and sadly this is just nice, affable and passable but that's it.

At first I was a little unhappy with this album, I wanted it to be more like the first, not that it's vastly different but after I absorbed it for a little while, I found myself loving every song. There's not many albums I can listen to all the way through (In Rainbows is the only other that comes to mind) without at least one song I don't like so much, and while this album had some weak songs in my mind, overall the entire album is well worth actually paying for and owning forever, much less listening to.… Expand

I liked the last Fleet Foxes album, but I thought it was a bit too "sweet-melodious" for me. That's why I don't listen to the Beach Boys or whoever sounds like that. But this new album, "Helplessness Blues", well, let me just say that the Fleet Foxes sound good "helpless" and "blue"! This album gets its hands a little dirty, a little more grit -- not all singy-songy. It took me awhile to buy this album because I thought it would be like the last one. For me, all of the songs on the last album sounded too much the same. This album mixes things up a bit more and I like it that it has more lyrics. I rarely like ALL of any bands catalog of albums. I had been telling myself that the last album, although I knew it was good and critically acclaimed, was just not for me. ...That maybe the next one would be, and it is, and I am glad because I so much want to love this band. Great job, gentlemen!!! A classic!!!… Expand

Great follow-up to their debut EP & LP. I particularly enjoy "Grown Ocean" where the band seems to really let go and play with more energy. Check out my full review here: http://earbuddy.blogspot.com/2011/05/earbuddy-review-fleet-foxes.html

Jesus, NME's review is unbelievable. It's really too bad that glowing reviews from publications that actually know how to critique music get bogged down with **** like this. Oh, well.

This album is utterly amazing. From the very opening notes of the familiar-feeling "Montezuma," I was transfixed by how the Foxes have managed to retain the sound that makes them so different while also moving in new, interesting directions. I love these guys.… Expand

Another great album by Fleet Foxes who play engaging, blissful tunes. A tough follow up to the debut but worth the wait. Check out band called Cloud Control (Bliss Release) if like FF.

A surprising and rewarding album, both cheerful and haunting. There are so many memorable moments here. The band displays great versatility without seeming to stretch themselves. What I love best is that this album does more to challenge the listener more than their debut. They are not content to be just a "pretty sounding" band anymore (listen to the freakish "The Shrine / an Argument", my favorite song from them). I'll be listening to this album thirty years from now.… Expand

Fleet Foxes definitely have avoided the infamous "sophomore slump" that so many bands with great debuts fall into. Helplessness Blues gets better and better with each listen, and I would definitely recommend listening to it many times to discover all of the complexities and intricacies of the album.