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Mar 31, 2015Campbell’s ideals are distilled into a tight nine-track album in which influences are evoked, grafted onto fresh numbers and cut loose to scratch insistently at the listener’s ear.
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Mar 26, 2015Hinterland is playful--a vibrant and urgent combination of genealogy and vision--and it is this that truly makes it a masterpiece. Not only does Campbell have the creative chops to create such richly evocative music, but she does it with a wink and a smile.
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Mar 26, 2015LoneLady has reimagined herself as the star of a glitter laden dancefloor, the lasers excitedly pinging from the mirror balls hanging from above. By doing this, she’s gone and made the finest pop record of 2015 so far.
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MojoApr 22, 2015Hinterland feels less like the spirit of the dance floor and much more like the crush of a weaponed march. [May 2015, p.98]
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UncutMar 30, 2015[An] utterly wonderful record. [May 2015, p.76]
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Mar 27, 2015Hinterland's tough, hard-won beauty reveals Campbell coming into her own.
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Q MagazineMar 19, 2015Campbell has picked over the bones of the past and rearranged them into something utterly brilliant. [Apr 2015, p.107]
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Mar 19, 2015Tracks like 'Mortar Remembers You' convey the bleakness of the situation ("I had to build a room to contain all the panic"), but Campbell's voice and the persistent whirling synths infuse the desolation with compelling energy.
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Mar 19, 2015It proves Campbell is that rare artist: one not just with a singular vision, but also the technical ability to realise it.
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May 7, 2015When any of Hinterland‘s nine disco-punk tracks gets in the pocket, the bass, guitar, and drums could run out for a half-hour, remaining insistent in their funk without breaking stride or sagging in momentum.
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Mar 25, 2015While Campbell's music hasn't done a complete U-turn and embraced sonic maximalism, the nine tracks on Hinterland benefit from greater depth, evident on even the sparsest cuts.
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Mar 19, 2015Although standalone each song is catchy and refreshingly danceable, they don't add up towards a comprehensive album experience. There is little variation from the funk-punk, and slower tracks like 'Flee!' feel weaker to their more nervy counterparts.
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