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Mar 19, 2014With Holly, Waterhouse really comes into his own, branding himself as a retro crossover crooner whose immediate intent appears intended to instigate a ‘60s soul revival.
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Mar 26, 2014Whilst it's certainly performed with skill and respect for the golden era of soul music, there's a sense that it's a bit too tightly controlled.
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Mar 3, 2014Waterhouse’s own vocals could be stronger, but his throwaway manner has a languid charm.
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UncutMar 7, 2014Holly lacks the heat and fire that makes the best so damn thrilling. [Apr 2014, p.83]