Hotel Morgen

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Generally favorable reviews - based on 15 Critics What's this?

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  • Summary: The Berlin-based trio (who share a member with the band Tarwater) continue to mix electronica with post-rock on their first album in three years (and first for Domino).
Score distribution:
  1. Positive: 11 out of 15
  2. Negative: 0 out of 15
  1. To Rococo Rot's Hotel Morgen is seductive and suggestively sculpted; romance music for people with unforced, natural, and charmingly contrary style.
  2. Uncut
    Luddites still unconvinced that digital technology is capable of emotional expression should make this their first stop on the road to enlightenment. [May 2004, p.103]
  3. Hotel Morgen serves as a blend of some of the more appealing aspects of both the electronic avant-garde and its more mainstream dance music wing.
  4. This record isn't about progressing or regressing, and one hesitates to refer to such a strong, enjoyable listen as a holding pattern.
  5. Mojo
    A return to basics--14 meticulously sculpted, wordless vignettes tricked out in blurry beats, subtle digital daubs and mellifluous bass counterpoints. [May 2004, p.104]
  6. Hotel Morgen finds To Rococo Rot with a modestly updated sound, the sort of slight seismic shift that may take millions of years to have its say. They understand what classical composers knew: the next symphony won’t bring utter revolution, but as long as it carries the emotional impact of your intent, it’s a grand success.
  7. Despite To Rococo Rot's placid rejection of any exceptionally radical artistic statement, there is a grace and deft care taken on the record not to buoy the stately jams with textural shifts, but to interlock the two in an elegant way that's impressive to the discerning listener. Nevertheless, this is a somewhat uninspiring recording.

See all 15 Critic Reviews