- Record Label: Suicide Squeeze / Slumberland
- Release Date: Feb 11, 2003
- Critic score
- Publication
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Where the Aislers Set really create a distinction between themselves and their contemporaries is through the unpredictably imaginative arrangements, bolstered by Linton's truly enigmatic melodic sense.
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A significant departure from the band's previous works, marking a new approach to songwriting.
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UncutThere's real poeticised emoting here. [May 2003, p.108]
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It's pure fun-- insanely, immediately likable, and ingenious in how much it achieves.
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Another fine batch of eloquent, classic sounding pop songs, with a little bit of mustard added to it as well.
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It blows me away when someone can make nostalgia for the '60s or the '80s, or in this case both, sound relevant or recent or worth swooning over.
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How I Learned to Write Backwards isn't the kind of album that's going to turn up new rewards. Its marginal utility tops off after about 10 listens.
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Easily the band's most consistent, tonally tight disc thus far.
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MojoThe Aislers don't always hit their mark, perhaps because the disparate interests at work also contribute to some unengaging instrumental, noise and nearly spoken word pieces. [Apr 2003, p.103]
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Its successes -- its pleasing idiosyncrasies, its moments of charm, and so on -- are there, but underneath a veneer of such blandness that finding them seems like more trouble than it's worth.
User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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virgilnApr 19, 2003its actually really fucking good. give it more that ten listens.
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christophernMar 11, 2003Catchy dream-pop, definitely a great album to spin on a sunny day.