Human After All - Daft Punk
Human After All Image

Mixed or average reviews - based on 28 Critics What's this?

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Generally favorable reviews- based on 162 Ratings

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  • Summary: The French electronica duo's third LP is closer in sound to their first than to 2001's 'Discovery.'
Score distribution:
  1. Positive: 7 out of 28
  2. Negative: 4 out of 28
  1. Portraying the state of pop as a series of predictable formulae long since exhausted by corporate superstructure, Human After All more than lives up to its name, rendering a metaphor for failure on the grandest yet simultaneously most personal of terms.
  2. Not as overtly catchy (or cheesy) as Discovery, Human After All nonetheless is a hilariously cold and mechanical work that makes Kraftwerk sound like Curtis Mayfield. [May 2005, p.138]
  3. 70
    The album's most human aspect is its contradictory nature, an ultimate lack of emotion that make the exhilarating Homework and the sentimental Discovery so accessible. [#67, p.90]
  4. 50
    Feels desultory and numb, verging on autistic. [Apr 2005, p.116]
  5. Where the weight of expectation and precedence get to have a say, this feels like not just a failure, but a heartbreaker.
  6. Too much of it is straightforward four-to-the-floor anodynity, and a number of tracks run out of ideas almost immediately, explore touchstones they've caressed more inspiringly before or, worse, do both.
  7. Human After All is determinedly monochromatic aurally, compositionally, and mood-wise. Gosh, they really are robots--the music is flat, barely inflected, sitting there like a vending machine waiting patiently for your quarters.

See all 28 Critic Reviews

Score distribution:
  1. Positive: 55 out of 79
  2. Negative: 11 out of 79
  1. Feb 16, 2014
    Seeing the yellow tinge of average surrounding the mediocre score of this album surprises me, and frankly, most of the reviewers and critics who delivered a poor score on this album probably listened to it once and disregarded it automatically. One who sees a mere 57 out of 100 rating on an album would surely give it a miss - a mistake that many have made. Simply put, this album, while almost half the length of their first album and considerably shorter than their second, is a gem that deserves much warmer recognition it has now gained. A track like "Robot Rock" may be tiresome to sit through for some, but that song is an anthem. It is a rewarding listen. "Steam Machine" tinges with the whisper of the eponymous track title, darkening the album's tone further; and lighter tracks "Make Love" and "Emotion" show that Daft Punk can create a song in any positive or negative tone, and any genre they see fit.
    In my opinion, then, "Human After All" is yet another flying-colours pass by the French duo.
  2. Dec 15, 2010
    Human After All is a bit of a mixed bag for me. I don't really agree with all the atrocious reviews for it, but I can understand what these critics are trying to say. Most of the tracks don't really go anywhere. It's like the chorus the whole song. Some are catchy the whole way through, others are just a bit annoying after a bit. All In All, Daft Punk's Discovery was brilliant, but Human After All could 've been so much better. C+ Expand
  3. Jan 16, 2012
    Human After All is an excellent album by one of the best artists that have ever existed. Maybe is not as good as its predecessor, but in my opinion at the same place as Homework, this record shows to the world what is real electronic music. Because a lot of people thinks that this dance-pop parasites and the awful remixes of their songs are electro. Nothing as far as reality. Human After All is the perfect example of this. Beginning with a masterpiece, the title track is simply awesome, one of the best Daft Punk songs. Prime Time Of Your Life is a strange song, with a lot of industrial music, but still cool. And then, Robot Rock. Epic. How, with a single riff, create something as brilliant. The best song of the CD. Steam Machine is the same story of the second track, but this kind of songs rules and make us see that DP is a very original band. Make Love is the opposite. A calmed song, with a single riff, but that really fits with the concept of art. Absolutely great. The Brainwasher is a great song to, direct to the spirit, effective. On/Off is only an introduction for what comes next, the best song with Robot Rock, Television Rules The Nation. Describe how amazing it is is impossible. Technologic is a fun song, that improves as it progresses. And the last song, Emotion, is a calmed song with a lot of feeling. In conclusion, a great album. Maybe some parts are repetitive, but who cares. It's Daft Punk, and Human After All is one of the tops of music in the 21st century. Expand
  4. Sep 1, 2010
    This is a very good album. Personally even though i love Daft Punk they were a bit repetitive on tracks such as Steam Machine or BrainWasher. However the electric flow and robotic feel never quite leave you and keep you tuned in through the whole album. My biggest problem with this album is that it's toooooooo short. It's essentially 9 songs. 9 songs! Not enough daft punk :/. Expand
  5. Feb 7, 2014
    In all its metallic, cold, crunchiness, Human After All, which was considered to be one of the most anticipated, yet disappointing albums of 2005 and in the EDM community overall, there's meaning -- or should I say purpose -- to be found here. Now it's almost been a decade since its release, and Daft Punk have since produced for the 2010 Walt Disney film Tron: Legacy and made one of the most memorable, critically acclaimed of 2010s thus far, Random Access Memories. And maybe because of that, time has been moderately kinder to this electronic "dud". After all, Thomas Bangalter and Guy-Manuel de Homen-Christo -- calling them by name since I'm an adoring fan myself -- intended for the album to have a robotic perception of what "being human" means. It's virtually devoid of any lyrics (aside from the often grating repetition of the song's names, respectively), so we're left with the music. And the results are hit-or-miss. "The Brainwasher" and "Technologic" are probably the somewhat most enjoyable of the bunch, matching its repetitive vodocers with some catchy techno that can easily be described in one word: "earworm". And the worst being "Robot Rock", one of Daft Punk's laziest use of sampling to date and a poor sequel to "Aerodynamic". However, one treasure (or at least by this album's standards) exists: "Make Love", an appealing, soothing throwback to their Discovery days; it's the album's "breather". So all-in-all, it's not by any means a very good album and it's justifiable for whomever finds it quite the opposite. For any Daft Punk fan, they've learned to at least commend its existence. Daft Punk are "Human After All" -- totally called for -- they're inclined to make flaws. Even robots do that every now and then. Expand
  6. Apr 9, 2012
    I love Daft Punk and I consider Discovery and Alive 2007 to be among my favorite musical works. However, it is painfully obvious that they didn't care about how this album turned out. Dull, repetitive, and boring would be the best words to describe this 'album.'

    I only give a 6/10 because DP redeemed themselves and this album by remixing it with Alive 2007.
  7. Oct 8, 2011
    Daft Punk is known for their hybrid of organic samples and high edge house music, their first two albums leaving catchy and beautiful songs. While Human After All's titular track is a great opener, the rest of the album just can't follow suit. Nearly everything is just a mirror of its first fifteen seconds. It's unfortunate just how repetitive it gets, and actually a little annoying. This is especially the case for tracks like "Robot Rock", "Technologic" and "Brainwasher". Then there are even stranger "songs" like "On/Off', a prelude to "Prime Time of Your Life" and worse, "Emotion", which is basically just a rendition of technologic with other sounds from the album. It's very disappointing, considering the duo's previous successes. Expand

See all 79 User Reviews