Hummingbird - Local Natives
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Metascore

Generally favorable reviews - based on 32 Critics What's this?

User Score

Universal acclaim- based on 37 Ratings

  • Band members: Taylor Rice, Kelcey Ayer, Matthew Frazier, Ryan Hahn
  • Summary: The sophomore release for the Los Angeles indie rock quartet produced by The National's Aaron Dessner is its first without bassist Andy Hamm (who left the band in 2011).
Score distribution:
  1. Positive: 28 out of 32
  2. Negative: 0 out of 32
  1. Jan 29, 2013
    93
    From the first sung note of Hummingbird, Local Natives are frank in their presentation of a serious album, challenging listeners to heal along with them; cognizant that investment is proportional to remuneration.
  2. May 17, 2013
    80
    Produced by Aaron Dessner of the National, the Brooklyn, N.Y., indie rockers who once took Local Natives on the road as the opening act, the album feels like a pronouncement, as if to highlight how much the quartet has grown since its last outing.
  3. May 17, 2013
    80
    Hummingbird feels wiser, grander, and more knowing.
  4. Feb 11, 2013
    60
    Unwilling or unable to ascend the vertiginous heights of 2009 debut Gorilla Manor, Hummingbird instead buries its beak in the sand. [No. 95, p.58]

See all 32 Critic Reviews

Score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
  1. 10
    While Gorilla Manor was focused mainly on live performance and texture, Hummingbird shows what happens when the Local Natives let their emotions override. With the passing of one of lead singers mothers passing away, there are many heartfelt sentiments expressed throughout this record. The most prime example is "Columbia", which is this moving, heartbreaking anthem from a son to his parted mother. rewinding a bit, the album kicks off with Ayer's adventurous vocals on "You & I" which discusses the efforts of a lover within a relationship. While every song is beautiful and composed to near perfection, the subtle yet powerful "Mt.Washington" remains my personal favorite. Although there will most likely never be a way to top Gorilla Manor, the Natives present their sophomore effort with grace and it has been well received. You're missing out if you let this album pass you by. Expand
  2. If you're looking for another Gorilla Manor, it's likely you will be disappointed. While Gorilla Manor can be argued to be a bit top heavy as an album, Hummingbird offers a consistency of songs that exuberate chemistry, and together stand tall. Local Natives do not offer any immediate crowd pleasers like "Airplanes" or "World News" here, but rather slow down the tempo and percussive clatter to create a much more expansive and thoughtful sound. Opener, "You I" makes this evident as the laid back wobbly surf guitar strums are interrupted by Kelcey belting out the song's title, letting the listener know that he can't fake a smile anymore and he has some serious thoughts to get off his chest. Darkness shades the edges of this album as a result of Kelcey's mother passing away, and his loss fuels his best performances on the album both lyrically and vocally. Here, he sounds wounded, heartbroken, and lonely. Particularly on his solo take "Three Months", he croons, "I have to go on now, having thought this wasn't your last year." Anxiety haunts each song, especially on "Breakers" where Taylor nervously sings "Breathing out, hoping to breath in, I know nothings wrong, but I'm not convinced...Just let it happen, I can't let it happen. Just don't think so much." Trust has been damaged on "Black Balloons": "Swear you're who you say you are." Those of us who suffer from anxiety or depression can completely understand those unsteady feelings. However, for all the tension, the Local Natives still let cracks of light shine through. but in only in a few subtle ways. The soaring harmonies we have all grown to love are very much in tact, for all the sadness on the chilling rhythm of "Heavy Feet" you can still feel warmth inside. Arena- rocker "Wooly Mammoth" is riddled combatant array of percussion, but then magnificently opens wide to its brilliantly expansive chorus filled with harmony that give a fleeting sense of clarity, but like "Black Spot" there are hints of an imminent collapse.The calm of "Mt. Washington" is disquieting with Taylor singing "I don't have to see you right now" as if he is fighting back tears. All the emotional build leads to the achingly honest words of Hummingbird's calling card, "Colombia": "Every night I ask myself, am I giving enough?/ am I loving enough?" Questions impossible to answer, yet inevitable to ask given such a loss. Overall, the Local Natives show growth on a heavy album that aims to find emotional healing after loss. Their acceptance of life's capacity to cause pain is made explicit with Hummingbird's final words on closer "Bowery": "The fall is so much faster, then You and I can ever climb...." This is as cathartic as it gets. Expand
  3. While it's not the juggernaut its predecesor was, Hummingbird holds with the unique charm that Local Natives continue to find in raw emotion and devastatingly powerful vocals. Expect an album that finds its way into your favor after a second or third active listen. There are less stand-out tracks, but the overall essence of the album is made more succinct and cohesive in the consistency of the tone. Expand
  4. Local Natives blew me away with their debut record Gorilla Manor. I loved their influences and their sounds and the vocals. Not to mention the songwriting. It was an all around impressive debut. Hummingbird doesn't really follow the same approach their debut did, but what they lack in harder songs, they make up in more mature approach. The first three tracks are fantastic, but after it loses it's steam a bit. But it quickly picks up towards the third half of the record. The songwriting and lyrics are definitely worth a mention. All In All, Hummingbird doesn't shine above Gorilla Manor, but their improvements in songwriting is what it's really got going for it. Expand

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