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There are some traditional country ballads and some flourishes of Dixieland-style jazz that give character to the album's production, but the overall collection comes across as slight, even fragile.
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Mr. Haggard sounds more fatigued than his old sidekick, his voice less willing to bend. There are some lovely moments of stern self-loathing ("Bad Actor," "How Did You Find Me Here"); Mr. Haggard is always sharper when pointing the finger at himself than when celebrating love, as he often does on this album.
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