(III) - Crystal Castles
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Metascore

Generally favorable reviews - based on 33 Critics What's this?

User Score

Universal acclaim- based on 45 Ratings

  • Band members: Ethan Kath, Alice Glass
  • Summary: The third release for the Canadian electro-pop duo was produced by the band member Ethan Kath and recorded in Berlin and Warsaw.
Score distribution:
  1. Positive: 23 out of 33
  2. Negative: 0 out of 33
  1. 90
    Being doomed seldom sounded so beautiful.
  2. Nov 28, 2012
    80
    Whether doomily atmospheric or dissonant like 'Insulin', Crystal Castles successfully nail it for the third time running.
  3. Dec 11, 2012
    80
    [Glass's] lyrics are often buried in the mix, but no amount of production occultation can hide the fact that the likes of Plague are excelsior anthems for the End Times. [Jan 2013, p.103]
  4. Dec 17, 2012
    60
    The dozen songs, recorded in one take, make for an uncomfortable but absorbing trip. [Jan 2013, p.92]

See all 33 Critic Reviews

Score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. III is consistent, cohesive and tight. There is no late album tail-off here - no filler. Perfectly paced and sequenced and very, very affecting. Full of insidious pop hooks and dark, unbalanced instrumentation, lyrics and ideas. No one else does this sort of music as well, and CC have never done it better than here. Expand
  2. Crystal Castles have followed up their acclaimed and beautiful yet brutal second album with a raw, dark, depressing, and honest collection of material that succeeds in showing fantastic maturation and growth. Less of a social experience than their previous release, the stripped down production almost hints at a desire to alienate insincere "fans". This is not a feel-good or very danceable album. This is experimental dance music for the thinking person fed up with the current political climate and its blatantly over the top disrespect for and objectivation of women. This is "punk" music at its absolute finest. (III) should disappoint nobody, except of course for the completely unaware Tumblr-obsessed Tweens who listen to bands solely because of their hair colors and visual blogability (don't blame the band, that kind of thing is inevitable). This album is so aesthetically pleasing that if you care about the kind of social issues the band have expressed so much concern with as of late, diving into this deep world of gloom will prove to be an experience greater than I & II. Highlights: Plague, Kerosene, Wrath of God, Affection, Sad Eyes, Violent Youth, Child I Will Hurt You (honestly the whole album). Collapse
  3. Crystal Castles both benefit and suffer from being loved so much by their audience. They have been cherished like a first-born and, in many cases, that adoration insists that, to keep things perfect, nothing must change. Ever. But (III) is change. It is the sound of a journey, of growing, and wanting to tell people what you've seen. Of course, not everyone wants to grow up just yet, and for them the first two albums are still there; forever unaltered. For those who want to go somewhere this album is a wonderful experience. Experimentation, gloom and (yet) energy pour out. Synapses get giddy as it becomes clear the trip will not be predictable. But it will be playful and inspiring. This is a great record, and it puts them amongst a handful of artists who refuse to buy into the idea that challenging their audience is a risk to their 'business', and that being entertaining while you do that isn't in any way a sellout. In truth, you need both to make a lasting impact. So, three for three Expand
  4. As a long time fan of CC, I'd say that this album is ultimately satisfying. The variety of the songs is refreshing, and some are especially wonderful. The only downfall is that none of the songs are spectacular, like was evident in previous works (Alice Practice, Not In Love, etc). Standouts are: Plague, Insulin, Affection, Violent Youth and Telepath. Expand

See all 7 User Reviews