Advanced Search Beta »
Basic Search Fields
I'm Having Fun Now - Jenny and Johnny
User Score
7.1 out of 10

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 6 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 1 out of 7

Review this album

  1. Your Score
    10 out of 10
    Rate this:
    out of 10
  1. Submit
  2. Check Spelling

  3. Characters remaining: 5000 out of 5000

view
per page
  1. KISTEFM
    Aug 31, 2010
    3
    This review contains spoilers, click expand to view. Yo soy amigo personal de la Jenny, y debo reconocer que el disco no me parece bueno. Sin duda la falta de su compañero Tubegán. El sonido de la loba se echa de menos. Para mi en vez de un 75, le doy un 0 patatero.… Expand
  2. ryanpoling
    Oct 25, 2010
    9
    This album is pretty great. Jenny Lewis' and Johnathan's Rice's voices seem to perfectly match each other. This is some of the catchiest new music out there, and is a wonderful mix of indie-surfer-pop, with a clear, consistent sound and great tunes. Jenny and Johnny make the kind of music that is impossible to get out of your head.
prev next
Page:
  • 1

Critic Reviews

All reviews »
Metascore
72 out of 100

Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 11 out of 18
  2. Mixed: 7 out of 18
  3. Negative: 0 out of 18
  1. Drowned In Sound
    Dec 22, 2010
    70
    As side projects go, this is one of those that will happily turn left rather than right when climbing onboard that transatlantic flight to you.
    Read full review
  2. New Musical Express (NME)
    Dec 22, 2010
    60
    Jenny 'Rilo Kiley' Lewis, and Jonathan 'Just Recorded Under His Own Name' Rice's brand of folk-indie-pop--jangly guitars, sweetly shared harmonies, echoes of the Deep South--isn't groundbreaking, but probably wasn't supposed to be.
    Read full review
  3. The Guardian
    Dec 22, 2010
    60
    With the duo sharing vocals and occasionally bickering like Jack and Vera Duckworth, the pair's sound is comfortable – somewhere between 1980s indie jangle pop, 1960s Byrds-type guitar chiming and modern MOR. But the easy-listening melodies hide lyrical bite and references to everything from mental illness to sex with strangers.
    Read full review
See all critic reviews »