In The Reins [EP] - Iron & Wine + Calexico
Metascore
77 out of 100

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 18 out of 22
  2. Negative: 0 out of 22
  1. Gorgeous, lush, and surprisingly optimistic.
  2. Whether or not Iron & Wine and Calexico ever choose to follow this up with another collaboration (fingers crossed), it's clear that both acts are stronger for having worked with the other.
  3. Heartbreaking and haunting. [23 Sep 2005, p.90]
  4. 80
    The combination... works just fine. [Oct 2005, p.114]
  5. 80
    With Calexico's sensitive muting of colour, Beam is clearly thriving throughout. [Nov 2005, p.112]
  6. 80
    This excellent collaboration plays to both halves' strengths. [Nov 2005, p.137]
  7. While In The Reins bears the unmistakable imprint of both Calexico and Iron and Wine, these collaborators donā??t seem to be interested in playing it all that safe.
  8. Fans of both bands will want to get In the Reins because it rates favorably with their best work.
  9. If it was a foregone conclusion that the long-awaited Iron & Wine/Calexico team-up wouldn't result in anything revelatory (or incendiary, as it were), it was almost as inevitable that it would be rewarding all the same; safe, not sorry, sad and elegant as ever.
  10. In the Reins is a marked leap forward in production--proving that [Beam's] songs, while gorgeous and perfectly functional as bare-bones four-track recordings, can support heavier instrumentation without losing their power and efficiency.
  11. 75
    A little swing moves these songs along in otherwise unobscured directions. [Nov 2005, p.101]
  12. In The Reins is intelligent but natural, different but not queer.
  13. In the Reins will please fans of both Beam and Calexico, and perhaps bring crossover business to each.
  14. Clocks in at less than 30 minutes, but you still feel you've been somewhere when it finishes. [Oct 2005, p.115]
  15. Sounds like an indie update of Bruce Springsteen's Nebraska moved 300 miles to the southwest. [6 Oct 2005, p.154]
  16. The best parts of Iron & Wine songs are almost always the bridges between chorus and verse or the outros, the spaces void of singing where Beam adds subtle riffs on top of the normal progression... They are the sharpest hooks, and, unfortunately, Calexico pretty much cuts out the effect of these bridges on In the Reins, replacing them with dull saxophones, harmonicas, trumpets, and ill-defined electric guitar parts.
  17. A solid set of tunes with some interesting musical elements not typically present in Beam's dynamic.
  18. A pleasant curiosity. [#11, p.117]
  19. A bit too jammy at times, but this is another solid effort for both artists. [Oct 2005, p.158]
  20. Most of these tracks can be found on the Internet in their original Iron & Wine incarnations, and all but one sounds 100% better that way.
  21. These country-blues laments are seriously sleepy-eyed. [10 Sep 2005, p.66]
User Score

Universal acclaim- based on 12 Ratings

User score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. romanmc
    8
    It's pleasant listening. The first track, the last track, and the middle of the EP is the strength, especially "Red Dust." The way Iron and Wine's acoustic blues riff accelerates in tempo and Calexico steps in with its rhythm section is a credit to how well these two acts meshed. "Prison on Route 41" and "Sixteen, Maybe Less" are both a little too much on the 'precious' side and should be avoided for those who quickly fall asleep to Iron and Wine. Full Review »
  2. CherylP
    9
    I've always liked Calexico and I've enjoyed some of Iron & Wine, but Iron & Wine can sometimes be too sleepy for me. This collaboration is truly beautiful. Full Review »
  3. radar
    10
    Why don't all artists only release EP's? This is how it's supposed to be done. Only 7 tracks - only quality!