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Their sonic departure won't be radical enough to put off fans, but the ultimate feel is familiar enough not to persuade any detractors. They may have taken a step forward, but they're still on the same street.
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They’ve possibly succeeded in alienating the casual fan with the brief moments of nastiness that are here.
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Fans of the band are either going to be blindly loyal, or extremely disappointed with this release. Meanwhile, those who felt that Editors were overly generic will either be interested in their new direction, or simply feel they are now generic in a different genre.
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In This Light And On This Evening is a weak, ill conceived and uninspiring effort.
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MojoIt's a curiously dated backdrop that, although sitting well with Smith's occasionally pompous lyrics, does no favours to the singer's foghorn baritone; a problem that might have been saved by some radio-friendly tunes, which are notably thin on the ground this time. [Nov 2009, p.90]
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Q MagazineAs an album, it is an imposing structure, a statement to their architectural skill. Beneath their grand design, however, Editors exists in a grey area, mistaking the half-light for night. They're not quite masters of darkness yet. [Nov 2009, p.105]
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This third effort is trying too hard to innovate by, once again in Editors fashion, obviously borrowing from somewhere else.
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In This Light and on This Evening dials it down so far that it doesn’t contain one track that comes close to the power of songs they seemed to toss off so effortlessly before.
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Under The RadarIn their attempts to procure an oppressively dark ambience, they have bypassed heroes Depeche Mode and New Order, landing straight in standard-issue mail-Goth territory--a place with little thematic variation. [Holiday 2009, p.76]
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The highlights are few and far between: Editors may have thought they were progressing by getting synthesized, but it’s ultimately a case of one step forward and two steps back.
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Dirty propulsive bass and disco beats still drive the songs, but it’s a departure from the band’s early, stunning work. It’s also a huge bummer.
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Despite embracing their electronic influences with much gusto on these more inspired outings, though, the record's middle stretch feels both forced and forgettable.
User score distribution:
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Positive: 38 out of 57
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Mixed: 12 out of 57
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Negative: 7 out of 57
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May 31, 2011
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Oct 31, 2012
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Dec 7, 2022This review contains spoilers, click full review link to view.