- Summary: The third full-length studio release for the producer-rapper features guest appearances from A$AP Rocky, Michael Bolton, Haim, Father John Misty, King Chip, Kendrick Lamar, RZA, and Too Short.
- Record Label: Universal Republic
- Genre(s): Rap, Alternative Rap, Underground Rap, Left-Field Hip-Hop
- More Details and Credits »
Jul 2, 2013In comparison to his past two albums, Cudi has grown the furthest from his purest hip-hop roots on Indicud, successfully carving out his own space using fundamental tools of hip-hop. [Jul 2013, p.91]
Apr 19, 2013This album is the perfect blend of his dreamy, spacey, 2009 effort MM:TEOD, and dark, chilling works of MMII: TLOMR, Indicud is an execeptional masterpiece true fusion of alternative, and hip hop, cudi's production skills are also very good. Plus the guests are all very high profile (Wu tang's RZA, A$AP Rocky, Kendrick Lamar). Favorite tracks are Beez ft RZA, Brothers ft. A$AP Rocky, King Chip, Just What I am ft. King Chip, and Solo Dolo pt II ft Kendrick Lamar… Collapse
May 5, 2013Dear god....why must he do all of his own production? I can understand maybe having 3 or 4 tracks that he did by himself and a maybe a few more in collaboration with better producers like Plain Pat and Emile, but ALL OF IT? The man has the beat-making prowess of a moderately talented 16-year-old with Fruity Loops.
By no means was Cudi ready to handle all of the production on an album of this length, because as a result, the songwriting is mostly bland and at times downright irritating. Cudi is at his best when he collaborates with talented people behind the boards instead of trying to be some poor man's Kanye (with all the ego and half the ability). That goes for his video direction as well. Putting a gold frame around a mediocre video is not going to convince me of Kid Cudi's "art" being anything above average.
The fact that he asked the top-tier A$AP Rocky to jump on such a clunky percussion-based instrumental is just an insane waste of a feature. I'm sure A$AP was just going along with it since Cudi has some gathered some respect and seniority in the industry over the past half decade.
Lyric-wise, I have never really cared what the guy was saying as long as he's riding over a solid beat. Everyone knows Cudi is not exactly world-renowned for his lyricism. Since the beats are mainly the lyrics are just turd garnishes.
I DID like Beez (which is bodied by RZA's potent lyrics and not Cudi's production) Solo Dolo Part II, and Cold-Blooded. Not much else impresses me on this thing. The repetition on the instrumentals is so boring I can't help but skip almost every track. Hopefully the whole "I can do it all" thing that Cudi is currently going for is just a phase and he'll go back to working with Emile soon. We can only hope....… Expand
Sep 13, 2013Note: this is coming from a die hard Cudi fan. This album was a huge disappointment for me. A time I find myself saying "what was he thinking?" And "why?" This album is nearly unlistenable. The song "Girls" is one of the most terrible things I've ever heard. Too Short should be ashamed as well as anyone that consigned this album. "Cold Blooded" was really cheesy, "Afterwords" was 8 mins on the same terrible chorus. Cudi really lacks the passion he brought to his first to albums. A couple things I did like was that Cudi did everything by himself. I liked "Just What I Am" and "Imortal". And I liked that he was bold enough to choose some of the features that he chose. This album was a mess overall.… Expand
|Spiderland [Box Set] - Slint|
|Lucinda Williams [Reissue] - Lucinda Williams|
|Miles at the Fillmore - Miles Davis 1970: The Bootleg Series, Vol. 3 - Miles Davis|
|No Depression [Legacy Edition] - Uncle Tupelo|
|The Satanist - Behemoth|
|Home, Like Noplace Is There - The Hotelier|
|Goodbye Yellow Brick Road [40th Anniversary Edition] - Elton John|
|Spaces - Nils Frahm|
|St. Vincent - St. Vincent|
|High Land, Hard Rain [30th Anniversary Edition] - Aztec Camera|
|Bottle Rockets/The Brooklyn Side [Reissue] - The Bottle Rockets|
|There's a Dream I've Been Saving: 1966-1971 - Lee Hazlewood|
|Memorial - Russian Circles|
|Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978 - Various Artists|
|Rooms of the House - La Dispute|
|The River & the Thread - Rosanne Cash|
|Workbook 25 [Deluxe Edition] - Bob Mould|
|Slow Me Down - Sara Evans|
|Bowler Hat Soup - Kiran Leonard|
|From the Sea to the Land Beyond [OST] - British Sea Power|