Interpol - Interpol
Interpol Image
  • Summary: The NY-based band returns with its fourth, self-titled release, which was mixed by Alan Moulder and highlights the band's dark-themed, post-punk style.
  • Record Label: Matador
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, New Wave/Post-Punk Revival
  • More Details and Credits »
Score distribution:
  1. Positive: 14 out of 33
  2. Negative: 0 out of 33
  1. The riffs here are grander, the rhythms more limber, and the melodies more memorably moody than they've been in years.
  2. Instead of ending tensely and dramatically they are the final whimper and sigh of an album named after a band that have lost their way and aren't sure which direction they should be heading.
  3. Overall, Interpol seems cinematic, abstract and complex, but that adds up to something interesting rather than thrilling.

See all 33 Critic Reviews

Score distribution:
  1. Positive: 20 out of 23
  2. Negative: 1 out of 23
  1. 10
    Another classic album from an already timeless band. Interpol continues to impress even years after the stellar Turn On The Bright Lights. Favorite tracks include Success, Summer Well, Barricade and The Undoing. Expand
    • 3 of 3 users said yes
  2. It is going to be extremely difficult for Interpol to escape the long shadow cast by their stunningly awesome debut album. Antics was a fine second album, but it was not nearly in a class with Turn On the Bright Lights. A completely forgettable third album sees the downward trend continue with this maddeningly inconsistent fourth and self-titled album. After a promising start with "Success," the record has a strong first half with two good tunes in "Lights" and "Barricade," but loses momentum quickly on the second half with pointless, boring songs. There are four really poor songs on this record that drag down the overall quality. There is a special place in the pantheon of great music for Interpol's debut, and I suspect the band will never come close to replicating its magic again. This record is merely the proof. Expand
    • 2 of 5 users said yes
  3. A tired album from a tired band. I didn't approach it expecting another "Turn on the Bright Lights" or even another "Antics". I approached it expecting a feeble effort to recapture their earlier innovation and that's exactly what I found. I would have been more impressed had they ventured into more foreign, questionable territory; New School hip-hop for example. At least then they would be experimenting, trying something new, pushing boundaries, taking risks. Instead, as with their last album, they have simply thrown up a turgid regurgitation of their best work. How predictable. With this scathing criticism in mind, calling the album 'Interpol' just seems like a lame attempt to slap their once innovative name upon a work that can at best make you yearn for the old Interpol. Because the Interpol of 2010 is coming across as very old indeed. Expand
    • 0 of 1 users said yes

See all 23 User Reviews

Recommended Products

    • Release Date: Aug 20, 2002
    Turn On The Bright Lights Image
  1. Antics - Interpol

    • Release Date: Sep 28, 2004
    Antics Image
    • Release Date: Jul 10, 2007
    Our Love To Admire Image
  1. Siamese Dream [Deluxe Edition] - Smashing Pumpkins
    Metascore: 96
  2. The SMiLE Sessions - The Beach Boys
    Metascore: 96
  3. Metascore: 95
  4. Metascore: 94
  5. Metascore: 93
  6. Some Girls [Deluxe Edition] - The Rolling Stones
    Metascore: 93
  7. Metascore: 92
  8. Unto the Locust - Machine Head
    Metascore: 91
  9. Metascore: 90
  10. Rio [Live] - Keith Jarrett
    Metascore: 90
  11. Metascore: 90
  12. Bitch Magnet - Bitch Magnet
    Metascore: 90
  13. Metascore: 89
  14. Metascore: 89
  15. Bad as Me - Tom Waits
    Metascore: 88
  16. The Singles - Goldfrapp
    Metascore: 88
  17. Undun - The Roots
    Metascore: 88