Invisible Cities

  • Record Label: Ubiquity
  • Release Date: May 5, 2009

Universal acclaim - based on 5 Critics

Critic score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. A companion album to last year’s Ghost Rock, Invisible Cities again finds the group in fine form, refining their sound and moving gradually further from revivalist afrobeat into a style all their own.
  2. This is elsewhere music one can feel eternally at home in, no matter your place of origin.
  3. Invisible Cities serves as something of a breath-catching moment for a band that's taken a giant leap on each of its albums, bringing some of the thunder back while further elaborating on the progress made on Ghost Rock.
  4. Though NOMO exhibits an ecstatic love for Afrobeat, spiritual jazz (check the odd time-signatured mysticism of “Patterns”), and the like, they’ve been increasingly studio-prone with each successive album, allowing for the effects of postproduction and modern electronic instrumentation to take their music in wild new directions.
  5. The band is becoming, depending on how you look at it, either more like a classic jazz group—solos twisting well beyond the compact call-and-answer of formulaic Afrobeat—or something like a more world music-friendly Tortoise.

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