IRM - Charlotte Gainsbourg
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Generally favorable reviews - based on 21 Critics What's this?

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Generally favorable reviews- based on 54 Ratings

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  • Summary: The first daughter of modern French pop releases her third album, IRM (the album's title is French for the MRI machines), produced by Beck.
Score distribution:
  1. Positive: 16 out of 21
  2. Negative: 0 out of 21
  1. 91
    Beck’s willingness to raid just about any genre works wonders when coupled with Mlle. Gainsbourg’s ability to inject matter-of-fact sexual energy into just about anything.
  2. Ultimately it's Gainsbourg's voice--a heady melange of tussled bedclothes whisperings and near-dead sexy murmurs--that lifts both her life and art from beneath the shade of her mythic paterfamilias.
  3. Throughout the follow-up to her 2006 album, "5:55," Gainsbourg never sounds out of her element, no matter how the music shifts underneath her feet.
  4. Where her previous album was ethereal and ephemeral, IRM is exciting and eclectic.
  5. Actress Charlotte Gainsbourg may be the daughter of the ultimate Euro-glam couple, Serge Gainsbourg and Jane Birkin, but her Beck collaboration, IRM, is a tough-minded trip through some serious adult trauma.
  6. For all that is revealed about Charlotte’s experiences via the songs on this album, there is always the knowledge that Beck is the songwriter, which raises the questions of how close Charlotte is to the lyrics, and if Beck has transcribed what Charlotte described to him with minimal interference, or if his own views and ideas have shaped the finished work and altered Charlotte’s original intent.
  7. It’s not a completely futile exercise--there are some decent tracks--but it falls far short of the quality of its predecessor.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of