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MojoOldham's typically weary, wavering larynx is rendered imperious as it rises Lazarus-like from the wind-tanned dronescapes and rasping harmonues of an epic 'Cursed Sleep,' while a mistily brooding 'Ain't You Wealthy? Ain't You Wise?' finds him deploying unlikely falsetto whoops a la springsteen. [Nov 2008, p.110]
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I realise that bemoaning the inclusion of crowd noise on a live album is a bit pointless, but when it detracts from the enjoyment of the album then it's a valid grumble. But it's a minor issue.
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For newcomers, Is It The Sea? offers a neat summation of Oldham’s quiet industry, while it may just mark the turning point from his darker years.
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The WireThere's little in the way of structural reinvention, but then Oldham has never really been a sonics man, and the success of this album rests on one's appreciation of his songwriting alone. [Oct 2008, p.52]
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Q MagazineOften the players transform the hushed originals into rousing barnstormers, although diehards might baulk at the cluttered performances and newcomers may wonder what seperates the "Prince" from other raggle-taggle troubadours. [Nov 2008, p.107]