• Record Label: Columbia
  • Release Date: Mar 12, 2013

Generally favorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 9 out of 16
  2. Negative: 1 out of 16
Buy On
  1. Entertainment Weekly
    Mar 8, 2013
    Natalie Bergman and her brother Elliot are too inventive to get cast as style-rock band, experimenting with African thumb pianos, dub-reggae grooves, and sultry soul vocals with deep pass-the-dutchie raspiness. [15 Mar 2013, p.62]
  2. Mar 8, 2013
    With its exotic instruments and spacious arrangements, this is a first-rate pop album that doesn’t sound quite like anything else on pop radio.
  3. 70
    The mood is enriched by an ambitious approach to what seems on the surface to be modest pop songs, which reveal themselves to be far more elaborate, challenging and unusual.
  4. Mar 21, 2013
    Wild Belle’s debut is a respectable exercise of ethereal pop.
  5. 70
    Natalie’s embattled relationship tales balance the island vibes, and Elliot’s expressive backdrops frame each without battling for attention.
  6. Mar 11, 2013
    With songs largely based around Natalie's love of soul and melodic '60s pop, Wild Belle have a less frenetic, if still hypnotically languid take on NOMO's world fusion sound.
  7. Mar 8, 2013
    Isles ends up an easy pleasure--nothing too weighty, but substantial in its way.
  8. Mar 13, 2013
    Without their smart lyrics and complex instrumentation, listeners would feel like they're listening to the same song again and again.
  9. Mar 12, 2013
    Ultimately, Isles falls somewhere between juvenile and sophisticated, which puts it comfortably in the mystifying realm of American pop.
User Score

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Sep 1, 2013
    Natalie and Eric came out of nowhere with an album that sounds like it's been shaped over the course of a decade. The usual derision thatNatalie and Eric came out of nowhere with an album that sounds like it's been shaped over the course of a decade. The usual derision that would come with a white, brother and sister indie band playing reggae is not here, because let's face it there aren't that many white, brother and sister, indie reggae playing bands. They are a breath of fresh air. The sounds are authentic and flow with ease. They are also catchier than syphilis. And it's not all reggae here and not all female vocals either. Eric steps in for the track 'When It's Over', detailing the demise of a relationship.
    The lyrical content is piercing, but not intense. Instrumentation is accentuated beautifully with horns and genuine reggae and ska basslines. This is a very fresh, incredibly likeable debut and one that fills a gap, modernizes a genre and remains as true to their inspiration as you could hope a band to get. I genuinely hope to hear more from WB.
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