James Blake Image
Metascore
81

Universal acclaim - based on 38 Critics What's this?

User Score
8.2

Universal acclaim- based on 127 Ratings

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  • Summary: Following positive reviews for his EPs, James Blake releases his first full-length album.
Score distribution:
  1. Positive: 31 out of 38
  2. Negative: 0 out of 38
  1. Mar 22, 2011
    100
    James Blake is dubstep's crossover moment, rolling back the hostile skronk and centering on a croon that rivals Antony Hegarty for lovelorn beauty.
  2. Feb 8, 2011
    90
    His are fragile, beautiful songs floating over warmly alien, sometimes seemingly formless musical structures yet it's an effect borne through unconventional levels of space and patience.
  3. Mar 14, 2011
    90
    With not a sound wasted, James Blake is everything we wanted James Blake to make.
  4. Feb 8, 2011
    80
    Aside from the hype, this album is by no means a feasible breakthrough into the mainstream--there's not stride enough for that. But when it's at its best, it's boundary-breaking.
  5. Feb 15, 2011
    80
    Like fellow minimalists The xx, Blake takes from dubstep an awareness of space and silence; he appreciates the power of a perfectly weighted pause. [Mar 2011, p.98]
  6. 75
    Full of airy vocals and synths, the album sounds as if it could lift off at any moment if not for the drum thumps tethering it down. But the beats sound weighty only in contrast.
  7. Feb 16, 2011
    40
    Blake's songs are built around a single typically melancholic lyric and melody that he works over, kind of like an R&B singer, while gradually switching stylistic gears.

See all 38 Critic Reviews

Score distribution:
  1. Positive: 20 out of 24
  2. Negative: 1 out of 24
  1. Apr 21, 2015
    10
    Incredible piece of work, Airy in tones, effective in speech. The present that is delivered to us by James Blake is a Futuristic, engaging,Incredible piece of work, Airy in tones, effective in speech. The present that is delivered to us by James Blake is a Futuristic, engaging, unique, rare. Committed at times and tentative in a pragmatic manner. The Sonics, are dream state Soul electronic infused. It leaves the audience in awe, it Grabs you by the ear and shivers slowly to your spine. It is a raw medicine tablet that was presented in blackcurrant Lemsip format. The listener would not pic it on the outlook but when it is tasted, you realize its what you need. 'Limit to your Love' glows mixing wayward arps and places them neatly next to soulful chords. Engaging and nevertheless creative. Never a dull moment in this Futuristic sonic pallet. Expand
  2. Jun 30, 2011
    10
    Immaculate, affecting, addictive. James Blake takes the cake. I Never Learnt to Share is perfect. Lindesfarne II is gourgeous. I'm not sure ifImmaculate, affecting, addictive. James Blake takes the cake. I Never Learnt to Share is perfect. Lindesfarne II is gourgeous. I'm not sure if the album is greater than the sum of its parts because I can't count that high. Expand
  3. Feb 9, 2011
    10
    A truly brilliant album. Blake has taken the most distinctive elements of dubstep, stripped them down to their most minimal core, and infusedA truly brilliant album. Blake has taken the most distinctive elements of dubstep, stripped them down to their most minimal core, and infused the result with a soulfulness rarely found in contemporary music. It's beyond words and beyond anything anyone has done, and is undoubtedly the best album of 2011. Expand
  4. Feb 9, 2011
    9
    James Blake's new world dubstep is awe-inspiring. This is a new genre, if most aren't already aware of his innovation from "Limit to YourJames Blake's new world dubstep is awe-inspiring. This is a new genre, if most aren't already aware of his innovation from "Limit to Your Love," Feist's heart-wrenching love tale about love and it's inevitable extinction. He takes the elements of dubstep, and what we know of it, and fuses soul with latent piano drools. This album may be the best of the year so far, and may be the top of the year as a whole, right alongside Bright Eyes' "The People's Key." Expand
  5. Sep 5, 2011
    8
    Why do i have to write 150 words when James Blake's soulful, exciting and saddening album can only be expressed through the word - WOW.
  6. Mar 27, 2011
    7
    James Black is an album of experimentations, and that's fine if that's the way you look at it. The songs are not conventional at all--theyJames Black is an album of experimentations, and that's fine if that's the way you look at it. The songs are not conventional at all--they aren't even songs as much as they are motifs of sound. That said, the experiments are wonderful if not entrancing and hypnotic, and James Blake's voice is incredibly soulful.

    Hopefully though in the future we can see him doing something a bit more cohesive. Sure, keep experimenting Blake, but i'd like to see some applied learning too.
    Expand
  7. Feb 12, 2012
    0
    James Blake is an overhyped indie artist with nothing really behind his pretentious music style... People praise The Wilhelm Scream withoutJames Blake is an overhyped indie artist with nothing really behind his pretentious music style... People praise The Wilhelm Scream without actually realising that it was his father who wrote the song. The production is dull, and overall, this release is boring. Expand

See all 24 User Reviews

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