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A wild funhouse of an album, Jewelleryis more challenging and idea packed (not to mention more fun) than a lot of self-proclaimed experimental music.
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Micachu has made one of the strongest debuts of the year.
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Micachu’s album has all the markers of quirky chic--an unusual voice, a fairly well-known producer, and a distinctive approach centered around pastiche.
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Jewellery then is not quite the set of glittering pop gems its title implies but boasts a handful of rough diamonds nonetheless, fidgety and uncompromising though all the more enjoyable for it.
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Thrillingly improbable pop made by a grade-A maverick. Three cheers to that.
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Despite the up-tempo spunkiness of half the album’s songs, the prevailing tone seems to be that of a musical android--equal portions ukulele and digital distortion.
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The shambling London trio Micachu & the Shapes embrace all manners of homemade noises on this cheeky debut, surprisingly produced by electronic experimentalist Matthew Herbert.
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21-year-old future-dystopian grime DJ breaks new ground.
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It's a joyful sound when she cuts loose, and wedded to an attitude you wouldn't mess with, works a treat.
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Levi and her band sound more like the future than the past, at a moment when we desperately need some more future, and as much as I've come to dig this album's awkward, brash cacophony, I want to hear what they do next even more.
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At first, the overwhelming weirdness—whether the listener finds that good or bad--precludes listening more analytically, and the whole experience seems crowded with random experimentation for its own sake. With a little patience, however, Jewellery soon orders itself.
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Anyone who has found beauty in a chipped tooth or a grazed knee will find much to love here. Jewellery certainly doesn’t suffer from a paucity of ideas, and the lyrical subjects are more than a match for the band’s heterogeneous musical leanings.
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Q MagazineJewellery is an extraordinary introduction to a unique talent. [Mar 2009, p.101]
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The 13 songs here average just 2:30 in length, but they cram a lot in.
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Mica Levi leads her trio through this 28-minute cockeyed burst, each song a bizarre little post-punk contraption that sounds like it’s ready to fly apart and wreak havoc. Yet her debut is also insanely disorienting fun.
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Without hyperbole, it is one of the most fun, vibrant, rewarding, intelligently structured pop records to shimmy through these parts in quite some time, taking cues from whichever electro-punk-pop-DIY-indie-sludge-rock hybrid 21-year-old Londoner Mica Levi fell in love with when she was 14.
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Levy's unorthodox and, in some cases, homemade instruments strum and stutter with calculated abandon; her heavy British accent slumps itself across this glitchy bubblegum arcade and blunts it.
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Combining hard experimentation with soft introspection, her scrappy, lo-fi production wrapped in warmth, Micachu's sparkling pop will leave Little Boots shaking in her shoes.
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UncutLevi's eclectic debut strikes a winning balance between electro-glitch cacophony and shouty grrrl-pop. [Mar 2009, p.92]
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Under The RadarThe record is admirable for its crashing ambitions, but it unfortunately devolves into a tuneless, nearly unlistenable mire of avant-noise fragments. [Spring 2009, p.77]
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Jewellery, their latest album, plays like an act in a high school battle of the bands.
User score distribution:
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Positive: 14 out of 18
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Mixed: 0 out of 18
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Negative: 4 out of 18
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Dec 13, 2012
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Dec 5, 2018This is my favorite album of all time. Very unique and interesting compositions. I've listened to it countless times.