Just Enough Education To Perform
- Stereophonics
- Band Name: Stereophonics
- Record Label: V2
- Release Date: Apr 17, 2001
User Score
8.4
out of 10
Universal acclaim- based on 19 Ratings
User score distribution:
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Positive: 17 out of 19
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Mixed: 0 out of 19
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Negative: 2 out of 19
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DeniseMDec 2, 200110Brilliant! More chilled and laid back than thr previous two...
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[Anonymous]Jul 23, 20017It's unfair to criticise this album as I don't think they could ever reach the dizzy heights of Word Gets Around again but at some points it seems like they've had to struggle to think of some new tunes. Having said that Vegas Two Times and Rooftop rank among their best ever efforts.
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SusanBSep 14, 20057Good, but still the weakest of all the Stereophonics albums. When its good its very good (Vegas Two Times, Rooftop, Lying In The Sun) but a couple of poor tracks bring it down (Have A Nice Day, Everyday I Think Of Money). To get a true feel for this band, listen to Word Gets Around and Language Sex Violence Other instead
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NavannaD.Dec 18, 200110Brilliant
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jad.Jun 24, 200110i love this album,critics are critics,how critics get paid for criticising something is beyond me.if you look hard enough for something to criticise about you will find it everytime!
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DaffydJ.Jun 30, 200110It's the 'Phonics showing rock in a whole new way!
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StefanSep 13, 20019This album has a nice positive atmosphere. I love the songs, even the lyrics (they are quite funny). Don't know the former two albums though.
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JoeH.Sep 17, 200110not as good as p and c but better than westlife!!!! Oh yeh im welsh as well!!!
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JakeT.Feb 2, 200210Awesome!!!!!!
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shakermakerAug 16, 20012not comparable with the first two albums. boring, too long songs repeating the same lyrics. they should sound more like rocknroll like in their beginning
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80With the exception of the swaggering "Vegas Two Times," Just Enough may not pack the same wallop as Cocktails, but tunes like "Lying In The Sun" and the soaring "Watch Them Fly Sundays" instantly stand out as some of the band's best to date.
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70This is a record that delights in the contrast of the group's no-frills rock past and its radio-friendly, mid-tempo future.
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Songwriting low on insight, high on moaning.