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Kids Aflame is the good stuff, as loosely played as it is meticulously plotted.
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The loud, distorted, lo-fi West Coast tone dominates the album, and this is the terrority where Goldstein performs most engagingly. Where he attempts a more stripped-down approach (on Fall, or the ukelele-led title track) the results are less successful.
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Goldstein's voice could use a little shaking up. Even in the first-person stories Goldstein feels like an observer, albeit one with a negative bias. Still, ARMS makes for an interesting contrast to Harlem Shakes' eternal optimism.