User Score
8.6

Universal acclaim- based on 57 Ratings

User score distribution:
  1. Positive: 51 out of 57
  2. Negative: 2 out of 57

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  1. May 1, 2012
    9
    I'm a little surprised that I'm the first one to write a review for this album, and it's a shame that's the case. This is a really... really good album. On first listen the album can be overwhelming, and I'll admit I still haven't been able to fully digest all 90+ minutes. It's not easy finding time to listen to the album front to back. While this album is meant to be played that wayI'm a little surprised that I'm the first one to write a review for this album, and it's a shame that's the case. This is a really... really good album. On first listen the album can be overwhelming, and I'll admit I still haven't been able to fully digest all 90+ minutes. It's not easy finding time to listen to the album front to back. While this album is meant to be played that way to truly appreciate it, it isn't neccesary. There are some excellent individual tracks. The opening track "Into the Black" sets the tone very well. It's a bold move to begin with a Neil Young cover, but the Chromatics pull it off perfectly. The core lyric "it's better to burn out/then to fade away" is part of the central theme of this album. The title of the album gives you a pretty good idea of what to expect. This is an album about love, and the pursuit of it regardless of the consequences, so this album sounds and feels very passionate. The title track makes this pretty clear and it's one hell of a track. The track (and most of this album) is essentially 80's synth pop, much like the movie Drive that the Chromatics contributed to on the soundtrack so the timing of this album feels right. However, the production is so crisp that it feels completely right here in 2012 despite it's heavy 80's influences. "Lady" is a good example of their perfect balance between nostalgic pop and modern electronic music and it's extremely catchy. There are plenty of catchy pop moments on this album, but there are some long stretches of what I can only call "mood" music. This album somehow feels like a straight forward album, and a soundtrack for a movie at the same time. It's very refreshing, and I love the vibe. To say this is an ambitious album would be an understatement. Calling it hypnotic seems more appropriate. It's a bold, uncompromising album that should hold up very well over time. Hopefully more people discover this album, because it's likely the best thing out right now that nobody has heard. Expand
  2. May 13, 2012
    8
    Chromatics' album - "Kill For Love" is one of the longest alternative publications - seventeen tracks appearing on the CD are more than one and a half hour of music at its best. Therefore band could afford lethargic longueur in the intro of "Into The Black" or the closing - totally minimalistic - "No Escape". On release we'll find mix of various genres and musical motifs - ambient "BrokenChromatics' album - "Kill For Love" is one of the longest alternative publications - seventeen tracks appearing on the CD are more than one and a half hour of music at its best. Therefore band could afford lethargic longueur in the intro of "Into The Black" or the closing - totally minimalistic - "No Escape". On release we'll find mix of various genres and musical motifs - ambient "Broken Mirrors", indie rock "At Your Door", title "Kill For Love" or heavily electronic "Lady". Expand
  3. Jul 25, 2012
    8
    Opening your album with a Neil Young cover is always a win! An interesting followup to their success on the "Drive" soundtrack. Lengthy but intriguing.
  4. Jun 28, 2015
    9
    A soaring, majestic and unique masterpiece. This is an album that makes you feel nostalgic, melancholic and euphoric at the same time, only Radiohead's In Rainbows had ever had that kind of effect on me. At well over an hour it still didn't drag at any point for me as I found myself totally immersed throughout its run.
  5. Jun 11, 2015
    9
    This album has been a favourite of mine for a long time. It's a journey, it's like watching a movie, a long and dramatic one. There's a vintage feel coming from the eighties, but also a seventies way of connecting the tracks between them. Melodies are nostalgic, sad and there's a constant feeling of detachment. The climax of the album is the fifteenth track There's alight out on theThis album has been a favourite of mine for a long time. It's a journey, it's like watching a movie, a long and dramatic one. There's a vintage feel coming from the eighties, but also a seventies way of connecting the tracks between them. Melodies are nostalgic, sad and there's a constant feeling of detachment. The climax of the album is the fifteenth track There's alight out on the horizon, a song I highly recommend to get a general idea of the mood of the record. Expand
Metascore
80

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 18
  2. Negative: 0 out of 18
  1. Jul 24, 2012
    70
    It's a handsome work, but it really could have done with a bit of judicious editing.
  2. Jun 7, 2012
    80
    Kill for Love is also one of the finest records to surface this year.
  3. Kill For Love keeps in this spirit, playing with the attention to detail of an art-house movie (and a near 1½-hour running time).