- Critic Score
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Mar 27, 2012100The attention to detail Bevin is known for sounds invitingly open on Kindred and the ending fruition is a thrilling success.
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Jul 17, 201291The six tracks divided evenly between his 20-minute 2011 return and his 30-minute 2012 stride forward, cohere almost seamlessly as the album they become when you don't have to turn any plastic over.
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Mar 16, 201290The most noticeable difference from his previous work is that the three are symphonic, they have parts, and those parts are distinct, either marked by a certain loop, bass ostinato, drone, or tempo.
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Feb 21, 201290Will Bevan's done the unthinkable in managing to both appease and pull the rug out from under his fans.
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Feb 15, 201290Like a pang of guilt does he sample his former self, like a torch carried to its final flicker of illumination. And to hear all that, to be able to almost feel that happening, is to bear witness to an artist working at the apex of his talent.
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Feb 15, 201290It's almost certainly the producer's most ambitious and most vital work since Untrue.
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Feb 15, 201287Never before has his music possessed this much majesty, this much command, this much power.
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Feb 16, 201286Despite its short length, Kindred provides as much of an experience as Untrue. And commendably, it's a different one.
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Mar 27, 201285It's the sound of a composer showing just what can be done with a sampler in the right hands. Hip-hop producers should take notes.
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Mar 29, 201284If dubstep is dead, then Burial is some magnificent tower of dust and light built on the remains.
User score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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10
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A beautiful blend of sounds. Truly mesmerizing and relaxing. I really hope I see more of this artist in the future. Still my favorite song is Forgive.