King Animal - Soundgarden
Metascore
70

Generally favorable reviews - based on 32 Critics

Critic score distribution:
  1. Positive: 21 out of 32
  2. Negative: 0 out of 32

There are no positive critic reviews yet.

User Score
8.1

Universal acclaim- based on 69 Ratings

User score distribution:
  1. Positive: 20 out of 21
  2. Negative: 0 out of 21
  1. Nov 13, 2012
    10
    The Knights of the Soundtable ride again! King Animal is Soundgarden's first studio album since their 2010 reunion, and their first album of new material since 1996's Down on the Upside. And this album was definitely worth the wait. Soundgarden, driven by the wailing (and no less powerful) vocals of Chris Cornell, the mighty guitar riffs of Kim Thayil, the bouncy basslines of Ben Shepherd, and the eclectic and versatile drumming of Matt Cameron, have crafted a magnificent work of rock 'n roll. The overall vibe is similar to that of the band's previous albums Superunknown (IMO their magnum opus) and Down on the Upside. The songs are grungy without sounding nostalgic; instead they sound like a fresh reawakening. The band maneuvers through odd time signatures with ease, performing with vitality despite their older age. There are fast songs and slow songs, heavy rockers and soft acoustic tracks, psychedelic dirges and energetic bursts of alt-metal. Hats off to Soundgarden for making not only an excellent comeback album, but one of the best albums of 2012. Full Review »
  2. Nov 13, 2012
    10
    A triumphant comeback for Soundgarden. King Animal is a perfect followup to Down on the Upside, so much so that it hardly feels like their first album in 16 years. Full Review »
  3. Nov 13, 2012
    5
    If i had to define this album in one word : uneventful. It's not terrible, but it's not great either. Every song feels like mediocrity after mediocrity. Perhaps it is Cornell's voice that is holding it back. Since Audioslave, his works have been in decline. I think die hard Soundgarden fans will be happy enough with new content. The most disappointing thing about this album is that it lacks even one great song. All of them are passable, but no more. Full Review »