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Kingdom Come is exactly the kind of rote product Jay-Z seemed to want to avoid when he "retired": It's a victory lap without a victory, a rare instance of a rap superstar blowing his own horn and yet sounding half-hearted about it.
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Whilst a gift for converting arrogance into entertainment has always been one of Jay-Z’s strongest suits, Kingdom Come skirts perilously close to the showboating that marred 2002’s bloated double album, The Blueprint 2.
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BlenderHe never quite rises to this lofty occasion, and without anything to prove other than that he can come back whenever he pleases, he reverts to gloating. [Jan/Feb 2007, p.81]
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He's grown up, alright. With the energy Jay brings to most of these tracks, you'd think 30 was the new 60.
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“Kingdom Come,” then, captures the sound of a grown-up rapper trying to make a grown-up album -- whatever that means. It’s a fascinating experiment, and a halfway successful one.
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Kingdom Come is Jay-Z at his least inspired, and, yes, that includes the R. Kelly collaborations.
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If all of Jigga's future records sound as labored and flat as Kingdom Come, do we really need him back?
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A display of complacency and retreads.
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Its problems are both wide-reaching and acute, an album full of tiny misfired rhymes and shiny-dildo drum hits that add up to what I’ll go ahead and label Jigga’s second worst record, after 2002’s abysmal The Blueprint 2.0.
Awards & Rankings
User score distribution:
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Positive: 67 out of 130
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Mixed: 44 out of 130
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Negative: 19 out of 130
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Jan 1, 2021
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Aug 15, 2013
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Aug 22, 2011