User Score
8.2

Universal acclaim- based on 297 Ratings

User score distribution:
  1. Negative: 15 out of 297
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  1. Apr 16, 2014
    3
    This album is a bit of a letdown from Tesfaye's previous work. The versatility of the sound has been sacrificed for pop sensibility, and what was a strong lyrical voice has now fallen to trite cliches and unfortunate metaphors. In addition to the failure that is Tesfaye's lyrics, the production is a step backwards as well, with songs like "Pretty" and "Tears in the Rain" wanderingThis album is a bit of a letdown from Tesfaye's previous work. The versatility of the sound has been sacrificed for pop sensibility, and what was a strong lyrical voice has now fallen to trite cliches and unfortunate metaphors. In addition to the failure that is Tesfaye's lyrics, the production is a step backwards as well, with songs like "Pretty" and "Tears in the Rain" wandering aimlessly against a static atmospheric backdrop. The beauty of Tesfaye's previous works was their ability to jostle about, even with somewhat static instrumentals, the beauty and poise of the vocals as well as the candid lyrics made the whole thing seem active. On "Kiss Land," Abel allows the instumentals to stagnate. The only points on "Kiss Land" where Abel & Co. create moments vaguely resembling anything from "Trilogy" are on the first few tracks (Professional, The Town) and the title track ("Kiss Land"). Those tracks take a more aggressive and industrial direction, to wonderful results. But it's these moments that cause the album to be such a disappointment: we know Abel is capable of deliciously seductive slow jams and frightening electronic odysseys. But it feels like the majority of the tracks here are filler between the more fleshed out and more audacious tracks. Expand
  2. Aug 25, 2022
    0
    Slant magazine said it best : "problem with Kiss Land is that it fails on both fronts, presenting a musically static album that's also disturbingly backward on gender issues, with a sustained focus on degradation that no longer seems anything but vile."
Metascore
65

Generally favorable reviews - based on 31 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 31
  2. Negative: 0 out of 31
  1. Under The Radar
    Dec 4, 2013
    70
    Kiss Land covers musical and lyrical territory similar to 2012's Trilogy, but Abel Tesfaye's falsetto recollections of joylessly shallow sexual escapades still sound relatively fresh and novel. [Nov-Dec 2013, p.100]
  2. He still has an ear for production and his voice remains a pliable tool, but to keep himself tethered to an aesthetic he defined and completed within a year is to do himself and the listener a disservice.
  3. Sep 27, 2013
    80
    Ultimately the genius of Kiss Land‘s production lies in its ability to literalise Tesfaye’s fractured state of mind.