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User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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Aug 23, 2018She squeaks and scampers over all these tracks in a way that's clever and innovative. The production is dark, dry and scratchy, balanced with beats and electronic flourishes that make this album an immersive experience and better as a whole than in pieces.
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Oct 8, 2018Despite the album's distinct musicality, it's hard to shake the feeling that Miss Red is culturally appropriating Jamaican dancehall. She is clearly devoted to the history of dancehall, and her music is endowed with the cultural and musical themes that are the hallmark of the genre. But at times Miss Red's style is too archetypal such as in "Dust" and "Come Again" where her vocal affect sounds manufactured and trained.
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UncutJul 19, 2018"Shock Out" and "Money Machine" are straightforward exercises in the sort of hellfire dancehall The Bug does so well, but there's a restraint here too, best seen in the haunted heartbroken "War." [Sep 2018, p.35]
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Jul 16, 2018On K.O their ideas are rendered in higher fidelity, and while not every track on here leaves a lasting impression, the album as a whole certainly does.