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Jan 5, 2012At their best, mourning and dancing demand all our attention--a fact that Buraka Som Sistema realize, embrace and set to some hard-ass beats.
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Jan 4, 2012With so much in the blender, it's a testament to BSS's production skills that tracks like this don't fly apart. But they do get muddled.
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UncutDec 12, 2011Gleefully adulterated here with generous slugs of dubstep, dancehall, rock, R&B, baile funk and anything else that fits the fervent party mood. [Jan 2012, p.82]
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Dec 6, 2011There aren't quite as many standout tracks this time around, but there are no real low points to speak of, and there's plenty to enjoy, especially from a beat programming standpoint -- or, even more especially, from the center of a crowded, sweat-soaked dancefloor.
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Nov 28, 2011Buraka Som Sistema and its guests (including the Portuguese singer Sara Tavares, the Colombian band Bomba Estéreo and the Nigerian-English rapper Afrikan Boy) top them with sly, deadpan, polyglot vocals that cockily assume you'll be dancing.
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Nov 16, 2011The album's tight production will draw you in and leave you dancing damp from sweat until the early hours of the morning.
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Nov 15, 2011Komba, the band's third album, ups the techno factor from 2008's Black Diamond, pushing Buraka's infectious kuduro-samba-house-rave hybrid into shinier, more modernistic directions.
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Nov 15, 2011It's all about the beats here. And they don't disappoint, nor do they let up, for the duration of the album.
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Nov 15, 2011Buraka assemble Jamaican dancehall, Brazilian favela beats, South African ghetto-tech, and video-game ear candy like colorful Lego blocks on an earthy yet impeccably crafted working-class fiesta for dance-floor zombies and vampires of all nations.
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Nov 15, 2011Through its eleven songs Komba is exactly what we all need from time to time: a hopeful rejoicing in life itself.
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Nov 15, 2011Meh. It's alright, but I'm like... I'm like a bit bored, actually.
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Nov 15, 2011On Komba, their beats are deeper, darker, and more powerful than before, pointing the way towards a new direction for the band and, consequently, their audience.
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Nov 15, 2011Its mix of clanking rhythms, bleeps and whistles is certainly insistent, although it's the vocal tracks that stick.