Generally favorable reviews - based on 8 Critics

Critic score distribution:
  1. Positive: 5 out of 8
  2. Negative: 0 out of 8
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  1. 60
    The melancholy mood pervades throughout, into the itchy, insect flurries of Penderecki's Polymorphia, for 48 strings, and Greenwood's 48 Responses To Polymorphia.
  2. Jan 2, 2013
    Greenwood has pretty much stacked the chips up against himself by deciding to get involved in this album in the first place. There's no need for him to be seen as a competitor to any canonical composer at this point in his career, but by putting his works side-by-side with Penderecki's, he inadvertently puts himself in that light, and it leaves us with an album that tells us very little about his work that isn't obvious to anybody who knows how long he's been composing (young composer still learning his trade--gasp!), and nothing about Penderecki that we haven't already known for over forty years.
  3. May 16, 2012
    Sandwiched between two of the most towering works of its kind, Greenwood's massed strings can't help but transmit a tad cheeky.

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