User Score
Mixed or average reviews- based on 152 Ratings
User score distribution:
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Positive: 74 out of 152
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Mixed: 43 out of 152
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Negative: 35 out of 152
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Mar 15, 2012Not his best album by far, but still a relatively good album compared to everything else out there. Words I Never Said and All Black Everything are the best songs; The Show Goes On is good for a chart-topper. MDMA is horrid, however; he messes up every song he is on.
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Mar 9, 2011This review contains spoilers, click expand to view.
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Mar 12, 2011
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Mar 8, 2011Lupe's latest effort is not even in the same realm as his previous two LPs. The production is pop-y, mainstream, wrought with auto-tune. Lupe's notable lyrical genius is also lacking on most tracks. Soundtrakk (who produced most of Food and Liqueur, as well as The Cool) is sorely missed. Atlantic and Lupe really screwed this one up with delays and the tracks they picked to be on the record.
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Mar 10, 2011The album isn't as good as Lupe's previous efforts The Cool or Food and Liquor, that doesn't mean it isn't a good album, i think this is easily the best and most inspired rap album put out this decade, and is the best I have heard in 4 years, despite some of the production the album is top notch and the lyrically Lupe should be in everyone's top 5 after hearing his 3 major record label releases
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Mar 8, 2011
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Mar 8, 2011Disappointed after only recently becoming a Lupe Fiasco fan and buying his first two records. I really like The Show Goes On and Words I Never Said, but apart from these there really aren't any other standout tracks to ride home about. And by the sounds of Lupe Fiasco's attitude towards this album, it doesn't sound like his heart was in it.
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Mar 14, 2011
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Mar 14, 2011
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Mar 8, 2011
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Jun 14, 2011Honestly, I can't understand all the negativity around this album. This is seriously the best album I've heard in a long time. Yeah it's obviously not as good as Lupe's first two, but I'm pretty sure that would be close to impossible to achieve! Still a fantastic album and definitely worth a listen. My personal favorites are "Words I Never Said" and "Out Of My Head".
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Mar 8, 2011
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Mar 8, 2011
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Mar 8, 2011
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Mar 10, 2011Some excellent songs like ABE and Letting Go. But the production is too harsh such as in TSGO and State Run Radio, and the hooks are very hit and miss. Lyrically Lupe is still very good, but not on par to F&L, and at times he seems very bored. Still some like-able tracks keep it above average.
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Mar 8, 2011
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Mar 8, 2011This is a great album. This album has something from every music listener. It might not be as lyrical as his previous album but the lyrics are still top notch. This is a must buy.
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Mar 26, 2011Yes the vehicle is more commercial than the previous efforts but listen to the message. Lupe's message is one of hope and despair. If you're not feelin' it you're not listening.
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Mar 17, 2011Lupe's latest effort is not even in the same realm as his previous two LPs. The production is pop-y, mainstream, wrought with auto-tune. Lupe's notable lyrical genius is also lacking on most tracks. Soundtrakk (who produced most of Food and Liqueur, as well as The Cool) is sorely missed. Atlantic and Lupe really screwed this one up with delays and the tracks they picked to be on the record.
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Mar 14, 2011
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Mar 8, 2011
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Mar 26, 2011Great album. I haven't heard his older stuff but this album got me into him and i like it a lot. It is a bit mainstream but is has a great feel to the music and the lyrics has meaning unlike crappy lil wayne
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Mar 12, 2011I am disappointed of Lupe. His did not deliver his best on this album. The production was horrible and the guest stars was boring. I know that he can do better than is. "Food & Liquor" and "The Cool" was awesome, but this album, no! The only track that was good was "All Black Everything". I hope he takes his time on his next album and focuses.
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Mar 18, 2011Although the production is for the most part bad, the album still has amazing lyrics, so if you can look past the poor production its a great album, just focus on the lyrics instead of the beats. Truly a great album
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Mar 8, 2011
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Mar 12, 2011
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Mar 17, 2011Lupe Fiasco's LASERS is a long step down from his previous works. In his interviews he spoke of how Atlantic had a large hand in the direction and sound of this album. Gone are the producers he built a great rapport with like Soundtrakk and instead we get a crew of no name producers that don't mesh with Lupe Fiasco's style or message. Rife with excessive auto-tune use and generic pop rock â
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Mar 17, 2011I've never been able to skip a single Lupe track before, but now that's changed. Where do I even begin? This third LP is full of lazy, generic sounding dial-it-in electro production. "Break the Chain" sounds like throw away trance music slowed down. Where is Soundtrakk!? Where is Matthew Santos? These guests are awful. I don't know who Skylar Grey is but her voice makes me want to break th
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Mar 17, 2011Lupe's latest effort is not even in the same realm as his previous two LPs. The production is pop-y, mainstream, wrought with auto-tune. Lupe's notable lyrical genius is also lacking on most tracks. Soundtrakk (who produced most of Food and Liqueur, as well as The Cool) is sorely missed. Atlantic and Lupe really screwed this one up with delays and the tracks they picked to be on the record.
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Mar 18, 2011Anything above 60 is just too high for this awful piece of work. The production sounds like it would be more suited to Kesha or Flo Rida, Lupe is really un focused for the majority of the LP, All Black Everything & Words I Never Said being the only two exeptions and the later was completely destroyed by awful production! Lupe can blame Atlantic all he wants but nobody forced him to release
Awards & Rankings
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Aug 4, 2011Lupe seems to have accepted that Lasers is not the masterpiece he originally set out to make and is prepared to move on. Maybe we should follow his lead.
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Mar 28, 2011Save for the brief reprieves of the barbed, anti-everything 'Words I Never Said' and the historical rewrite of 'All Black Everything', Lasers walks a fine line between conscious hip-hop and sleepwalking.
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Mar 23, 2011So the political nails are hidden deeply enough in the candy that sometimes it's hard to tell whether the juxtaposition is truly bracingly subversive or oddly self-defeating. Depending on your mood or disposition, maybe it's neither, either or both. A musical Rorschach test if there ever was one.